Messalina (played by gorgeous Betty Roland) is a power-hungry nymphomaniac who will stop at nothing to become Empress of Rome. She brings herself to the attention of Caligula by battling in the gladiator arena and it is not long before she achieves her goal, upsetting the Emperor's youngest sister Agrippina, who hopes that her son Nero will eventually become ruler of Rome. Agrippina successfully plots Caligula's downfall, but Messalina rains on her parade by immediately jumping into the sack with his successor, Claudius. But naughty old Messalina can't commit herself to one man, and shags everyone in sight, including a grotesque, but well-endowed, frequenter of brothels, a randy midget, her eunuch(!?!?) and an ex-lover. When she ends up pregnant, and it is obvious that the father is not Claudius (since he has been away fighting in foreign lands), Agrippina finally sees her opportunity to be rid of her nemesis once and for all.

The perversion behind imperial Rome, the epic story of Rome's mad Emporer. All the details of his cruel, bizarre reign are revealed right here: His unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing those who would oppose him, and more.

This work – the only opera that follows the career of the Roman Emperor Caligula and his madness, passion and power – was a great success when it was first performed in Venice, largely because of the originality and the fine psychological insight of its libretto and the subtelty of its musical score. There have been some memorable puppet-theatre performances of opera, but with Caligula Le Poème Harmonique and Arcal invite us to savour something quite original by bringing together two artistic traditions that have long been separated: those of Venetian opera and Sicilian puppet-theatre. On stage, the singers and instrumentalists, conducted by Vincent Dumestre, lend their voices and rich sound to the pupi of Mimmo Cuticchio, large stick-puppets belonging to a great theatrical tradition dating back to the seventeenth century.

Caligula, the musical is an Argentine musical tragedy inspired by the life of the Roman emperor of the Julio-Claudian dynasty and ran for four seasons. It was written by Pepe Cibrián and original music by Martín Bianchedi. It premiered in 1983 in Buenos Aires, after the 1976-1983 dictatorship

The deranged Roman emperor Gainus 'Caligula' (Little Boots) Caesar (12-41 A.D.) rules Rome with an iron fist and has anyone tortured and exectued for even the slightest insubordination. Mostly set during his last year of his reign, as Caligula loses support due to his brutal and crazed excess, a young Moor woman, named Miriam, becomes his lover while ploting to kill him to avenge the murder of a friend which Caligula was responsible for. But Miriam is torn between her personal vandeda against Caligula and her own personal feelings towards him despite his madness and debauched lifestyle of orgies and bloody torture murders.

Silvia, whose lover is a talking horse, is threatened by Scipio, her uncle and tutor, and by Marcus and Furius, advisers to the monarch, who aim to overthrow the daughter of the former Roman emperor. Scipio, as a strategy, wants to marry her to Marcus, but she refuses. The advisers, on the other hand, are simultaneously planning a coup against Scipio.

Anthony Jeselnik brings his signature dark and twisted point of view to this special. He holds nothing back, routinely saying things most wouldn't ever dare. Anthony is not for the easily offended or humorless.

A young crook called Joë Caligula and his crew make war on a Parisian gang.

What is true and what is false in the hideous stories spread about the controversial figure of the Roman emperor Gaius Julius Caesar Augustus Germanicus (12-41), nicknamed Caligula? Professor Mary Beard explains what is accurate and what is mythical in the historical accounts that portray him as an unbalanced despot. Was he a sadistic tyrant, as Roman historians have told, or perhaps the truth about him was manipulated because of political interests?

Alexander Tuschinski's 10 year quest to research Tinto Brass' original ideas for Caligula (1979), culminating in the discovery of Brass' 1977 workprint - showing the film as a dark political satire, unlike any version ever released.

After leaving the home of her faithless husband a frigid housewife with a past trauma meets an old female friend. The friend is sympathetic to her situation. Later the housewife is subjected to a series of seemly random sexual adventures both frightening and arousing. Little does she know that she is slowly being trained.

The beautiful and dangerous lesbian slave trader Druscilla practices all the customs of Ancient Rome - everything in Excess. But even excess can have its limits and the punishments can be very severe if she crosses the line and risks falling out of favor.

This is a short film based on the 1979 film of the same name. The film is stylized with the actors wearing modernized robes and Roman jewelry and females playing male characters and vice-versa.

This two-hour History Channel special examines controversial new theories about the man who ruled the world's mightiest Empire with sadistic brutality. His reign of terror lasted just 1,400 days. Yet even today everyone knows his name. Most have said he was crazy. But was he? This is the story few know behind one of the most infamous figures of the Ancient World--Caligula.

In a dark future, a mysterious man performs experiments on rats.

Roman emperor Caligula leaves the last days of glory amidst orgies of food and sex. During a show by two nude slaves, the emperor is particularly attracted to one of them, Lysia, ignoring that she had been planted close to him with orders to murder him. Only, the young man makes her feel for him, passion and motherly love, and she'll protect him rather then fulfill her mission. Drama ensues.

Druscilla and Baudica continue to take great risks for what they hope will be great rewards in their slave trading business. Choosing the daughter of a German noble family proves to have disastrous consequences as they engage in satisfying their lesbian desires with the ultimate but dangerous game of submission, training women and teens to become their docile submissive dolls to their erotic fantasies and sexual demands.