In a small Turkish town, two young tuberculous poets try to survive while publishing their poems. As they both fall in love, their life would never be the same.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

A young woman finds a hidden bit of film about her mother's youth, a film which somehow seems linked to her own life.

The author of the film observes seven-year-old Zuzia's struggle for life from up-close. The girl suffers from an extremely rare genetic skin condition. Her skin, as sensitive as a butterfly's wing, falls apart under the gentlest touch. The only possibility to alleviate the girl's suffering is an expensive surgery in the USA, which entails high risk. The camera captures her parents in poignant moments of despair and their glimmers of hope when they are trying to survive this emotional rollercoaster. What is the most impressive in this film is Zuzia herself, who is aware of her situation in a very mature way.

Heena Hoyana Samanallu (Dreaming Butterflies) (Sinhalese: හීන හොයන සමනල්ලු) is a 2017 Sri Lankan Sinhala family drama film directed by Rohan Perera and produced by Sunil T Fernando for Sunil T Films.

Shehan, who belongs to a higher middle class family is the only child of Madhavi (Dilhani Ekanayake) and Adithya (Saumya Liyanage). Their lives changed unexpectedly when Shehan is diagnosed with leukemia.

Middle aged Tae-gyu spends every night making love to his young and beautiful wife and everything seems like a happy dream to him. One night while his wife is out of town, someone keeps knocking on the door. The knocker doesn't reveal him or herself so Tae-gyu opens the door to find a woman who looks just like his wife, standing there. No, this woman looks just like his wife but she is wearing thick and heavy make up, has blonde hair and is wearing torn and ripped clothes. She's more decadent than his sentimental wife.

After she's gone, Tae-gyu suffers every night from a nightmare in which he is being raped by an unknown figure and is confused if that is reality or just a dream. When the femme fatale comes back, Tae-gyu feels his wife's scent from her and is sure she is his wife by the look in her eyes. When she looks at him, he sees deep sadness. He knows that she wants him to kill himself when she hands him a knife so he stabs himself in the neck. Tae-gyu is dead, but it isn't over.

Three of the four decades of my life have been spent in the midst of a tragic social transition in Sri Lankan history. Two militant uprisings, one by the Sinhalese and the other by the Tamils, claimed hundreds of thousands of lives.

The author's monologue addressed to his little son Alyosha.

The work of taxonomists hides more secrets than can be perceived.