When a businessman is murdered at his home, an experienced police inspector and his rookie partner must delve into the gay scene of the city to catch the killer.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

A making of documentary for Happy Together. Includes interviews, on-set footage, cut scenes and footage of crew members revisiting the locations where Happy Together was filmed.

Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.

Between March 22 and 23, more than 130 thousand people will witness a new milestone for argentinian music: Maria Becerra will be the first female argentinian musician to play in River, stadium where the most significant international stars have played.

In the middle of the 'Corralito', Argentina's bank freeze, Jordi travels to Buenos Aires in pursuit of a government contract. To enter into the high spheres of political power, he will have to pay something more than money. Just how far is he willing to go? Written by Zip Films

A remote village 100 kilometers from the city of Buenos Aires. Stephen, Matías, Alejo, Damián and Guido were born 13 years ago in this small town. They have always been friends and together they share the monotonous summer afternoons sitting on the stoop of a women's hairdresser. Anxious, restless, impatient for a change, they go through the most confusing period of experiment -- the transition from childhood to adolescence.

By notice, the heir to a fortune named Juan González is summoned. Three men with that name appear but only one is the one who has the right to inheritance. The boys to receive it must live with a mysterious lady and her daughter to access it.

Fantastic comedy located in an alternative Buenos Aires, where time travel is common, there is a queen who controls the Woods of Palermo, there are detective muppets and local superheroes who are in charge of keeping the dangerous neighborhoods clean. The film consists of eight stories that link at the end.

This documentary tells the tale of Buenos Aires lesbians, focusing on three personal stories. A former militant woman who now devotes her time to feminine soccer; a young woman who is active so no girl has to go through what she went through and a lesbian mother who recounts how hostile the laws are regarding the rights of lesbian women. In spite of the difficulties their characters go through, the stories have a lot of humour, some soccer and a tour of the city.

Erasmo Chambi is a Bolivian immigrant who survives on the outskirts of Buenos Aires, giving wrestling shows at local clubs. In his home country, he was a legendary wrestler: there were trading cards, posters and action figures of his character, El Ciclón (The Cyclone), which today are only relics in a forgotten drawer. Nowadays he trains his son to be his successor.

Performance by Soda Stereo in Buenos Aires in 2007 as the end of their tour "Me veras volver". This tour marked the band's return to the stage after a 10 year hiatus

First Argentine film in 3D, which includes various aerial and panoramic shots, where you can see the most emblematic neighborhoods and monuments.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

The romance of two migrants in Buenos Aires intercut with documentary footage of early '70s Argentina.

A comedy about the relationship between a modern, shy, young man and the spirit of a violent knife-killer murdered in 1920. They make a pledge: the latter will tell the former what exists beyond death if he allows him to inhabit his body for a whole day. Thus, the ghost will go around an unrecognizable twenty first century Buenos Aires to uncover the causes of his own death.

When her boyfriends are tempted by attractive women who are only interested in their money, two friends decide to join forces to make them give up such love affairs.

In 1929, Le Corbusier travels to Buenos Aires to give a series of lectures on Modern Architecture. During his visit, he proposed an urban plan for the city. Since his trip and for more than twenty years, he would obsessively develop his proposal, trying by all possible means to make the plan for Buenos Aires a reality.

A musician from Cordoba arrives in Buenos Aires and stays in a pension where he will meet a lively porteño, a provincial who works as a chorus girl in a magazine theater, a friendly and helpful girl and a success.