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Mira lives for the sport of ice hockey and leads her team as captain with a strong determination. It's a challenge to reconcile this with her role in the family vineyard: with her mother and her adventurous but increasingly demented grandfather, she runs the farm - with all its responsibilities. The new player Theresa completely unsettles her with her nonchalance and openness. And when Mira's missing brother Paul also turns up and all three get lost in late-night Vienna, Mira discovers the freedom it means to break rules, to reinvent herself - and that you can only love if you let go.
In cold wintry Yanji, a city on China's northern border, young urbanite Haofeng, visiting from Shanghai, feels lost and adrift. By chance, he goes on a tour led by Nana, a charming tour guide who instantly fascinates him. She introduces him to Xiao, a personable but frustrated restaurant worker. The three bond quickly over a drunken weekend. Confronting their individual traumas, their frozen desires slowly thaw as they seek to liberate themselves from an icy world.
The story begins while Tommy Martin and his mother, Martha Martin say goodbye to Henry and Reuben Johnson. After having stopped by the Mennonite farm, where Tommy and Martha stay with the William and Annie Decker, the Johnsons are headed back to their hometown of Goshen. The balance of the film is concerned with both trying to get the necessary train fare and with Tommy clearing his name over a misunderstanding.
Ralph Graves is a football hero that delvers ice for a living in this Mack Sennett slapstick comedy.
With the original Hanson Brothers still on the same minor league ice hockey team, the Chiefs are sold to a new owner who gives them a female coach and puts them in a league in which they are to be regularly humiliated by an opposing Harlem Globetrotters-like team.
A love story between a fish and bird.
Behind the scenes in the making of “The Wizard of Oz on Ice”.
The new theatrical fantasy is inspired by the last, eleventh, book of poems by Kuzmin (her only lifetime edition is dated 1929). Work on the stage embodiment of this text for Nastavshev is akin to composing symphonic music, and he himself is the composer of the play.