Vienna in the late 90s. VHS footage reveals the video-diary of Markus and Ana, a young unemployed couple. Boredom and the need for an adrenaline fix pushes them into a spiral of theft, alcohol and drugs.

The every day life of a military world is disturbed by the appearance of a black kite behind its high walls. The army annoyed by the existence of this kite in its clear blue sky, decides to solve the problem.

It happens every summer in Aulnay-sous-Bois (93). Here, the CAN is the Aulnay Nations Cup. France, Haiti, Algeria, Mali, Ivory Coast, Rest of the World... The city's neighborhoods are passionate about this "street football" competition. In good humor and “chamber”, Driss, MD and Bryan defend their team. Who will win the CAN this year? The bets are open…

Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.

The four friends Lukas, Julius, Gino and Sanchez are trying to survive the everyday life in Neukölln, Berlin between drugs, gangs, rap, violence and boredom. Until they are one day making a serious decision with serious consequences because of a dead certain plan.

A 14-year-old boy in a stifling Helsinki slum takes some unwise life lessons from his soon-to-be-incarcerated older brother.

Two men who do not know each other: Ertan, a 35-year-old ex-convict who is trying to make amends for his past actions, and Mikail, a teenager drug dealer and aspiring musician. However, both will have to face the same reality.

Godard returned to Paris briefly before getting a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film about the building of the dam called Opération béton (Operation Concrete).

In a suburb of Paris, Kenza, an introverted and secretive teenager, takes part in the rap workshop of Oréade, a young lesbian rapper whom she admires and whose friends make fun of her. Blocked by her shyness, she gradually reveals her talent as a rapper and awakens her desires through contact with Oréade.

Johanka had a fling with a well digger she had not met before and who, she was most likely certain, would never be around again. Just before his departure, they have sex and she eventually becomes single mother of a baby girl. 18 years later her (now 18-year-old) daughter Paulina commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulina take up residence in the city. Johanka, prodded by her also-single friend Jozefka who maintains that a woman without a man is nothing, begins to woo the new teacher Jarek only to discover later that he is married. Paulina, in the meantime, loses her virginity to the soldier Jirka who promptly makes himself scarce. Johanka fails to consider that she actually has a better life than some of her married neighbors, begins to see.

The third autobiography in the series deals with modern architecture. For the grand finale, he covers a broad historical spectrum: Parabeton tells of the great Roman concrete buildings from the start of the Common Era and compares them with Pier Luigi Nervi’s work, the Italian master of concrete construction. As concrete can be made into many different shapes, the buildings and the domes, slopes and spiral staircases they contain have an innovative, seminal quality. Those familiar with Emigholz's work will note that the skewed camera angles used in the past are replaced by straight-on views. Moreover, the ancient constructions seem more dynamic than those of the last century. Almost devoid of people, the images we know from his preceding films make the ruins from the 1930s to the 70s, the familiar cement constructions of daily life with their play of light and shadow or even the Pope’s Audience Hall appear more ghostly than the famous sights of the ancient world.

Linus is going on a date with his dream girl he met online, or rather, it is what he believes.

At dawn, a group of friends meet on the rooftop of a school in Athens. It's their ritual. Overlooking the city, this symbolic place will be theirs until the next morning.

Film tells about one day the King went to all the people of the jungle clearing . In the middle of the jungle there was a very thick clump sewers . The army was clearing sewer , but when it cleared sewer regenerate. People tried to slash it again sewer but still the situation is still the same . When the king saw this, he himself tried to cut down the sewer , the sewer successfully cleared out all arrive until the middle of the sewers .

This film illustrates a recurring theme in the work of Dominik Lange: the opposition of nature and city. The film explores various different aesthetic options. Lange begins by filming a bare tree, magnifying it and giving it the plastic seductivity of a watercolour in movement. The shots of the tree, either gently caressed by the artist's camera or exploding in a multitude of trembling and scratched forms, alternate with a series of shots of depressing new public-housing tower blocks. Lang revitalizes these buildings by clustering them together and/or blurring their contours. At a certain point, a building site appears; we see the buildings under construction, with construction workers busy at their task. Were these shots filmed later, or did the film-maker choose to show them later? It doesn't really matter; the alchemical phenomenon which mutates vegetation (nature) into the depressing uniformity of tower blocks is conveyed with sensitivity.

Am I French or Chinese? I wander in my identity questions. I face words from media people with words from the children of the 'second generation', trying to see more clearly. I recall France, my France.