In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.

Three penniless Parisians dream of the U.S.: Abdenour has fallen in love with a tourist, Alain ("Mozart") loves jazz, and Karim wants to escape his father. Through trickery, they manage to fly to the United States. Abdenour finds the tourist but that ends quickly. So they head for Bâton Rouge to seek their fortunes. While Mozart pursues a touring jazz singer, the others work at a fast-food restaurant. When immigration arrests Abdenour and Karim and sends them back to Paris, Mozart stays with his lady love. The two in France then hatch a plan to start their own restaurant, a venture that must succeed so that Abdenour can rescue his little brother, Bruno, from foster care.

Poor gigolo tries to frame his rich mature mistress, but gets tangled in his own wiles.

Grab the best seat in the house for these 13 high-octane fights between some of the world's toughest bone-crushers. Highlights include a brutal battle for the title featuring competitors Mad Dog Macias, Vernon White and Robert Lalonde. Matchups include Foster vs. Saulters, Gassaway vs. Martin, Macias vs. Labbe, Mitchell vs. Lalonde and Matyushenko vs. White. The first women's tournament also takes place at this action-packed event.

A music video.

Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.

A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.

Spend time on both sides of World War I, partly with German flying ace Baron Manfred Von Richthofen (John Phillip Law), aka "The Red Baron," and his colorful "flying circus" of Fokker fighter planes, during the time from his arrival at the war front to his death in combat. On the other side is Roy Brown of the Royal Air Force, sometimes credited with shooting Richthofen down.

A woman, believing that her husband is having an affair, gets a stranger to proposition him so she can record the encounter.

Officially labeled 'The greatest driver Formula One has ever seen', Schumacher has redefined this elite sport through his ability, dedication, media presence and appeal. The first German to ever win the Formula One World Championship, Michael Schumacher is revered and single-handedly credited with popularizing this sport in his country and beyond.This is an objective look at Schumacher's journey, and the ongoing impact of his contribution to Formula One.

A documentary of early airplane pilot and WW1 fighter ace Manfred von Richthofen, famously known as The Red Baron.

The first part in a new series of films produced by Musée d'Orsay, 'Flight of the Red Balloon' tells the story of a French family as seen through the eyes of a Chinese student. The film was shot in August and September 2006 on location in Paris. This is Hou Hsiao-Hsien's first Western film. It is based on the classic French short The Red Balloon directed by Albert Lamorisse.