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When Lucian and Miranda are left alone in an isolated mansion for the weekend, their mutual attraction grows, as does their unease about the whereabouts of Miranda's ex-boyfriend who may be hiding somewhere in the house.
Mid thirties Erik makes a living playing Backgammon in the local park. He is about to get thrown out of his residence, when a young girl approaches him in the park. She changes his life, while he tries to fight the demons from his past.
SURVIVAL OF THE MISFITS... Set in a futuristic world, BACKGAMMON is a clever black comedy, a tongue-in-cheek look at the runaway values that's created the never-ending 9-5 loop.
Backgammon tells the tale of a young Iranian American girl who desperately wants to play backgammon with her stubborn grandfather who has recently arrived from Iran. Within the circle of a family gathering, the film brings together a subtle yet compelling story of generational conflicts and cultural identity.
John thinks life is just perfect. He's in what he considers a solid relationship with girlfriend Mary and his job as a tailor suits him down to the ground. To put the icing on the cake he's about to ask Mary to marry him over the dinner which John has cooked especially. With the ring ready for Mary's hand, John is unprepared for Mary announcing that she's leaving him to find herself.
Games cannot be set apart from reality. One's entire life may be seen as something of a game, on a greater scale and with different types of roles. A game can be really diversion if taken as seriously as life within the frame of the game. Thus if you concede that seen from within a game is never mere recreation, rather only trifling on the outside, then there is perhaps still a chance to truly see your real life played as a player positioned within to some other game. This film starts with the game of Thakhte-Nard (Backgammon) tries to move beyond that. It looks at people and their views on this originally Iranian game that has gained popularity across the region, in an attempt to examine the way people in our part of the world perceive reality and their lives as a whole.