Tourists take a boat to a remote island, where they find that most of the people have disappeared, and something is stalking them. They find a hidden room in the big mansion on a hill, and an ancient diary, which gives them clues to the source of the terror.

In December 1941, Czech soldiers Jozef Gabčík and Jan Kubiš parachute into their occupied homeland to assassinate Nazi officer Reinhard Heydrich.

The millionaire Nikos Karamanlis (Andreas Schnaas) and his family are on a boat trip, when they get into a storm, in which the daughter dies and the yacht sinks. After days without food on a life raft, Nikos needs to eat the corpse of his wife and daughter or die. Later, a group of vacationers arrive at a remote island where Niko had made his home. Now insane and craving flesh, Niko Begins to pick them off, and a few of the survivors try to fight back.

A documentary looking at Operation Anthropoid during World War II.

We discard our trash every day, but do we really understand where it goes? In bustling metropolitan areas, tens of thousands of pieces of waste are discarded every day, yet most of us are unaware of how these materials are handled. While some waste is carefully sorted and recycled, the vast majority is incinerated or ends up in landfills. This film delves into the hidden processes of waste management that lie beneath the surface of modern society, shedding light on the intricacies of a process that often goes unnoticed.

Anthropocene is a part of video trilogy – History of Impossible Destiny – which focuses on the fate of the species UN declared the most important for the survival of Earth – the honey bee (Apis mellifera). By documenting beekeeping activities Makela reveals how intrinsically anthropocentric our attitudes are, and how this affects the process of subjucating the honey bee into a condition of exploitable natural resource. Thru a sensitive, intimate and prolonged observation Makela discovers surprising behavior inside and outside the hive, which she offers as a set of dialogues that bring humor, poetry, reflection and an insight into the fantastic dimension of this species.

In a world where everything is forbidden except what is obligatory, a man recalls what led him to work in a very strange fast food restaurant.

In Switzerland, four young adults explore, contemplate and, in the form of a letter, say goodbye to their favorite natural site. Stunningly beautiful forests, mountains, glaciers and lakes follow one another, like postcards trying in vain to freeze these landscapes soon transformed by the climatic catastrophes that this generation will inevitably witness. - Camille Kaiser

Rethinking the Anthropocene was developed over a period of six years and originally was described as Cinema for the Anthropocene. Each section (1. You Decide, 2. While We Sleep, 3. The Unraveling of Time and 4. This Old World) was created with different materials, locations, editorial strategies and sound design experiments and all have been screened individually both in the USA and internationally. Rethinking the Anthropocene (2023) is the final rendition which was completed in April 2023. Shot in the USA, French Polynesia, Canada, Bangladesh, and Malaysia.

Documentary on psychedelic potash mines, expansive concrete seawalls, mammoth industrial machines, and other examples of humanity’s massive, destructive reengineering of the planet.

Anthropogenic Horizon is a single-channel video work exploring the concept of the Great Acceleration and the atomic origins of the Anthropocene. The video combines footage of the Operation Dominic nuclear test (Christmas Island, 1962) and the Ilulissat Glacier Calving Event (Western Greenland, 2008) to create a metaphorical anthropogenic landscape. This work was part of the

installation “Fragments of the Acceleration,” which was developed through a combination of archival research, research into scientific, historical, and cultural perspectives of the Great Acceleration, the Anthropocene, and the climate crisis, as well as an exploration of contemporary perspectives of the climate crisis as represented in broadcast media.

Restaurant owner Kenji Nagata has been stabbed to death. When the police begin an investigation, a bag of human bones is discovered in Nagata's car and Detective Kajikawa asks anthropologist Kumiko Misaki to perform an examination. She discovers that the deceased was a man in his mid-twenties and that he died more than 15 years ago. Meanwhile, suspicion for Nagata's murder falls on his apprentice chef Ryohei Miyamura due to the murder weapon being a kitchen knife. Afterwards, Miyamura breaks into Kumiko's lab, but manages to escape...

A message from interdimensional Nahua travellers is delivered across time, space and imposed borders, centring indigenous flourishing and resilience.

Martyrs of the Anthropocene by artist Timaeus (Tim van Hooft) questions the relationships between people and the natural world in the Anthropocene. A digitally rendered nature and the narrator regale a myth with novel heroes: lichen and trees. These protagonists are the non-human martyrs of our age, adorned as they are with minerals and crystals that are exploited as resources in a world dominated by humans.

A man must overcome many obstacles as he works his way through the dangerous crime world to the level of yakuza.

Dog racing is used as a metaphor for the futility of human existence.

A young man goes about his daily routine, unaware that his own apartment is alive and desperately in love with him.

How is science done? What is behind the scenes of popular lectures and speeches? The film shows three days in the life of the famous popularizer of science Stanislav Drobyshevsky. The film crew visited together with him on archaeological excavations in the village of Khotylevo, Bryansk region, at the Lomonosov Moscow State University at the Department of Anthropology and at the conference "Scientists against Myths".

A film that mixes labyrinthine recent testimonies and historical images of the career of the tropicalista director, actor and playwright Zé Celso, of Teatro Oficina, one of the greatest personalities of the Brazilian arts of all time. The documentary acquired its main verb in four trips to key points in the trajectory of Zé: Bahia badlands, Cururipe Beach in Alagoas (where Bishop Sardinha was devoured), Epidaurus and Athens in Greece and his apartment in São Paulo.