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Samuel is surprised by a subject identical to him and begins to discover that the world around him is controlled by someone superior.
In a short musical film directed by Paul Thomas Anderson, Thom Yorke of Radiohead stars in a mind-bending visual piece. Best played loud.
Salvador is willing to do absolutely anything. Even mutilate, physically and emotionally, in order to retain the woman he is in love with.
A reporter doing a story on taxidermy discovers an odd older couple that he becomes convinced are ex-Nazi's. The chief item leading to this belief is an odd puppet theater the couple operate in their basement that re-creates the Nazi era using stuffed creatures.
Julieta takes her cello to a luthier's workshop, and as she observes the hypnotic movements of his hands on the damaged instruments, she realises that her soul too yearns to be healed.
Reality blurs as a rogue scientist struggles to keep his terminal wife alive inside a computer system.
In a world hit by a wave of mutations transforming humans into animals, François does everything he can to save his wife. As some of the creatures disappear into a nearby forest, he and their son Émile embark on a quest that will change their lives forever.
Jim's other begins to take over.
Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson
A native American is hunting and stalks an animal through a strange and mysterious forest.
Animals become digital bits and take over a city.
Pablo embarks on a journey towards the desert of San Luis Potosi with a super 8 camera and a small backpack. He doesn’t have a clue of what he pretends to discover in his improvised journey, yet he meets several persons along the way which orient him. As he goes deeper into the desert, Pablo’s hallucinations push him towards discovering his darkest fears.
Striking images of the lives and deaths of captive animals loom in the background of everyday humanity.
A short film by Ana Cristina Barragán.
Since the time immemorial, man bears a woman-image within himself. And from birth to death, that image deteriorates at the rhythm of life, in the manner of a train gone wild: the end of its acceleration only comes with the abrupt breakdown of its worn-out mechanism.
Anima explores the influence different cultures and beliefs have upon the relationships between humans and animals by travelling to different regions around Turkey and witnessing a range of events. Set against the backdrop of personal memories and dreams, Anima investigates the ideologies and rituals associated with sacredness and sacrifice.
The artist as a form that brings us back to the idea of capturing and transforming the image into its own movement (1874, African motifs with Asian motifs), representing a dialogue in the form of a frozen mass and the movement of the camera following the tectonics of music/sounds that creates a process of expansion and continuation of life.
Anima, which means “soul” in Latin and is the root of the word animation, is from a series of works inspired by Renaissance paintings of figures against neutral backgrounds. The panels show three people who have been directed to express a series of emotions in a specific order—joy, sorrow, anger, and fear. Bill Viola shot the original footage of the complete emotional cycle in one minute; by slowing the speed of the video playback to 81 minutes and 30 seconds, he has made it nearly impossible to discern any movement, blurring the distinction between portraits made with still photography and those made with film. Through these portraits of three anonymous individuals, Viola both conveys the idea that time is eternal and addresses the notion of the changing self.