Verdi’s grand opera “Aida” is given an intimate treatment in Busetto, Italy, in 2001, in a staging with young singers, all coached by the legendary tenor Carlo Bergonzi and staged by Franco Zeffirelli. The result is an astonishing musical and dramatic piece of theater, proving that with the right mix of ingredients, an opera can be staged in a small theater and still achieve a thrilling and moving effect.

This Italian film version of Verdi's opera stars Sophia Loren on the screen, with Renata Tebaldi providing the vocals.

A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.

Very nice set and costumes by Mauro Carosi. The procuction is well staged in the relatively small scene at Parma by Joseph Franconi Lee. Here's a performance that really works.Everything seems just right, but if you MUST have the top soloists (Pavarotti, Domingo...), look elsewhere. However, I think that the ones here (Susanna Branchini (Aida), Mariana Pentcheva (Amneris), Walter Fraccaro (Radames), Alberto Gazale (Amonasro), Carlo Malinverno (Il Re di Egitto) do a fantastic job. Also pluses for the ballet and the video production.

The Zurich Opera presents a stunning new production of Verdi’s most popular, most spectacular work. Responding superbly to the role, Swedish soprano Nina Stemme – she of the richly clear voice – offers an Aida vibrant with love and emotion. Heading a magnificent cast, she makes a poignant couple with talented tenor Salvatore Licitra as Radamès. Luciana d’Intino is nothing less than brilliant in the role of Aida’s rival Amneris and Juan Pons imbues his Amonasro with enormous humanity. Conducting the Zurich Opera orchestra and chorus, Adam Fischer brings out all the score’s musical and dramatic majesty.

A Paris-based Jewish music teacher is battling a malignant tumor. Convinced that her days are numbered, she decides to return to Morocco to reconnect with her roots and regain forgotten childhood memories.

Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most performed grand operas of all time.

Aida Santos Maranan is a poet, writer, teacher, feminist and NGO worker. In 1983, she co-founded the Katipunan ng Kababaihan para sa Kalayaan (KALAYAAN), one of the first feminist groups in the country, and other women's groups and initiatives. Aida was Imprisoned during the martial law years and remains active in human rights activism.

An old woman, incapacitated due to an accident has reach a dead end in her life. Pedro who has patiently taken care of her for years is immersed in her frustration. A short film that takes up the drama of two people bound together by fate and offers us a unique psychological perspective of an old woman and his son. Told with an incredible economy of means and with precise and beautiful pictures, "AIDA" is certainly a story you should see, one that touches a string in everyone's life.

With war and acts of violence in the background, Aida tells the story of a fascinating and tense love triangle between the Egyptian princess, Amneris, Ramades, an officer, and Aida, a Nubian princess, captured and reduced to slavery. The historical scenes and triumphal marches, which have contributed to the popularity of this opera, are followed by intimate but powerful duets and introspective moments of great intensity.

"This is Vienna State Opera live at home". March 2015.

tt2266516. Aida (2003) Gran Teatre del Liceu. Verdi / Italian. Filmed at the Gran Teatre del Liceu, Barcelona, Daniela Dessì, Elisabetta Fiorillo, Fabio Armiliato, Juan Pons and Roberto Scandiuzzi lead the cast in the renowned period production filmed in 2003 against the historic paper trompe-l'œil sets painted between 1936-45 by Josep Mestres Cabanes, the last representative of the old Catalan school of scenography. Mestres Cabanes worked on his Aida vision for eight years. The opulent staging he created in 1945 is here in every detail. The seven magnificent sets he painted for Aida in 1945 have been subtly and painstakingly restored by Jordi Castells and his team – revealing the palaces, temples and surroundings of Memphis and Thebes which the set designer had wanted to evoke in his historical yet also fantasy-like vision.

This was one of the most emotional evenings in Met history—the night Leontyne Price bid farewell to opera. Aida is the role that inspired audiences around the world to acclaim her as the greatest Verdi soprano of her time. And this telecast shows why: the famous soaring phrases that seemed to never end, the shimmering top to her lustrous voice, undimmed by the years. But most of all, there is the ennobling heart and soul Price lavished on every performance—captured here forever. With James Levine conducting the Met orchestra, chorus, and ballet.

Aida, daughter of the King of Ethiopia, having fallen a prisoner into the hands of the Egyptians, is given as a slave by their king to his daughter Amneris who, captivated by the grace and beauty of the unknown maid, takes her into favor. Radames, a young captain of the king's guards, loved by Amneris, suspecting a rival in her slave, swears to be avenged. Meanwhile war is again declared between Egypt and Ethiopia and Radames, appointed leader of the army by the High Priest of Isis, is invested with the sacred arms and departs to fight the Ethiopians who, headed by their king, have invaded Egypt. Radames defeats them and returns victorious, followed by the prisoners, among whom is the king himself, disguised as an officer.

Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but, when it’s a new production, it becomes a major event, especially given the theatre’s notoriously critical audience. Legendary stage director Peter Stein succeeds in delivering a lucid production acclaimed in equal measure by the press and public: “a perfect coup de théâtre” (Giornale della musica). A “stellar cast” (La Stampa) contributes to the production’s success under the musical direction of Verdi specialist Zubin Mehta, who leads the orchestra in a “gorgeously colourful performance”, while “the entire ensemble is brilliant in its portrayal of the characters” (Die Presse).

Verdi's opera was filmed during a performance at the Theatre Antique (The Roman Theater) in Orange, France in July 1976. This highly lauded production is marvelously translated to the screen by Pierre Jourdan. The story of an Ethiopian princess' love for an Egyptian general in the age of the pharaohs stars Gilda Cruz Romo as Aida, Grace Bumbry as Amneris and Peter Gougalov as Radames. The ancient Roman Theater is photographed in its sweeping grandeur, the spacious stage imaginatively employed.

A young mother is stuck between development and decay. Desperate to connect, she strikes a chord that links to the deepest parts of our memory.

Film version of Verdi's opera from director Claes Fellbom.