A wealthy old man who has a dull complexion and has to hug a young man every night. The men continue to donate their bodies to the old man's legacy. This abnormally frenzied party eventually heads in an unexpected direction...

The story revolves around Mrs. Nu's family consisting of three generations living together in the same house. The one-handed Mrs. Nu is known for her crab cakes and is also notorious for controlling the lives of everyone, from her daughter to her son-in-law. Everything was going normally until the youngest daughter fell in love with a handsome guy from a rich family. The story depicts the complex, multi-dimensional relationships that occur with family members. The main tagline (message) "Everyone is at fault, but everyone thinks they are... the victim" contains many hidden meanings about the content the film wants to convey.

A Man in Our House is a 1961 Egyptian film about the resistance to British rule in Egypt which ended in the exile of King Farouk in 1954 and the rise to power of Gamal Abdel Nasser.

This film is based on a real Meiji era performer -- and tells of Tochuken's partnership with his wife (played by Chikako Hosokawa) who played shamisen for his songs/recitations), his affair with a geisha (Sachiko Chiba), and the deterioration of his partnership and marriage.

The film is about young village man and about forming his character.

Three women take a break from men and move in together.

The film tracks protagonist Chen Zhihui who succumbs to trauma and frustration when he is released after spending 20 years in prison and becomes a serial killer.

About the artist Ian Hellström (1925-2012) with his own museum. A tour of Ian's house is an adventure in art, antiques, skulls and dolls, all in perfect balance. Ian created various jewelry sculptures, a kind of collage with glass beads, brooches, simple jewelry and various toys, which were sometimes pasted into boxes with small compartments. His colorful art and cross-border life is captivating but not always easy to understand.

A man buys a house on a hill. A rat was there first, and proves to be unusually difficult to remove; it seems to think all the man's attempts to kill it are actually gifts. It loves the taste of the poison, thinks the trap is a sculpture, and so forth.

Ofelia is painter who struggles with her work as she lives in a stagnant relationship with her husband. The fact that he goes out everyday and she stays inside without being able to paint, only makes her feel more alienated. But one day she recieves a strange phone call, which will make her face the inner conflicts she’s trying to hide.

A young female doctor cares for a dying boy in her hospital. The boy develops a love and trust for her that makes him want to protect her even in death.

The film is about the life and fate of Ismail Gasprinsky, an outstanding educator of the Turkic peoples. He was born in Crimea, lived in France, Algeria, Turkey, Egypt. But he returned to Bakhchisarai to become a great educator of the peoples of the Islamic East. His innovative works in the field of education and employment have become relevant and in demand today.

Voices that take shape in memory, an empty house, a piano that is now missing. Vivian Forrester said that for Duras, the act of speech to achieve was love in its whole or absolute desire. The one that can be silence, or singing, or screaming. It is what governs memory and forgetfulness, suffering and hope. This video essay proposes a dialogue between two films: Morir... Dormir... Tal Vez Soñar (Manuel Mur Oti, 1976) & India Song (Marguerite Duras, 1975). On the one hand, to claim a beautiful forgotten rarity of Spanish cinema and on the other, to claim that cinema, after all, is a house with many voices.

After the collapse of the Soviet Union, Natasha immigrates as a child with her family to Germany. The film begins today, twenty years later, when Natasha returns for the first time to her unknown home. Natasha's time in Baikal Port is mainly structured through her everyday encounters with the people who live there. In different situations, she meets them and gets into conversations about employment and living conditions that are still marked by the effects of the Perestroika. While Natasha gains these intimate insights into different ways of living, she reflects on her own position and tries to make a connection with this place, which is a part of her identity. The cinematic drawing of intimate portraits of people living in Baikal Port as well as Natasha’s play- acting as a returning, identity-seeking figure is accompanied by an ever-present recording camera.

In the Church of the Holy Sepulchre, in the heart of Jerusalem, six different Christian denominations, Greek Orthodox, Armenian, Syrian, Roman Catholic, Ethiopian and Coptic Christians-have divided the sacred site and simply can not agree on which of the claims on the tomb of Jesus is the most legitimate. So they fight. Sometimes through a difficult time cleaning, sometimes even by force. An intuitive and entertaining approach to the fact that faith is a very human thing.

In the garden of a provincial summer house, a series of operations is carried out, involving a man, a woman and a group of individuals with certain convictions.

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

A widowed woman is shocked when her businessman husband suddenly dies. It was discovered that she had a huge amount of debt, and everything but her home was taken away. In order to survive, she turns her house into a boarding house and tries to survive on her rent, but her tenants seem to have some quirks. What's more, a woman who was her husband's mistress, who claims to be a dildo designer, shows up and tells her to measure the penis sizes of her tenants, and if she doesn't do it, she demands compensation. Was told. She didn't know what to do...