In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?

A dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess's novel A Clockwork Orange. Where a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

Video installation showing the film "A Clockwork Orange", reduced to its colour.

In this documentary, we follow Stanley Kubrick as he creates one of the most controversial films of all time, one that retains its power to shock audiences, even after 35 years. At the time of its release, A Clockwork Orange created a firestorm of controversy. Through interviews with collaborators, filmmakers, screenwriters and authors, we come to appreciate Stanley Kubrick as an artist unafraid to take risks and court controversy, committed unwaveringly to his single-minded goal: the highest artistic quality of his films.

Examines and re-evaluates the 60-year history and cultural impact of A Clockwork Orange, as a novel, movie and stage play, with the help of archival content and interviews with important creative figures.

Produced by Channel 4, Still Tickin´: The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.

A man asks for a drink, and then is confused when he gets a drink.

An examination of Kubrick’s ‘A Clockwork Orange’ on Camera 3 (1972)

The film "The Key to a clockwork Orange" is dedicated to the street war of anti-fascists and nationalists of the 2000s. The focus is on the musical preferences and political ideas of the conflict participants who lost their health and lives in the bloody FA-ANTIFA confrontation. It was a subcultural war, the main front of which was music. It was conducted by very similar young people who did not fit into the social structure of modern Russian society. Now they have matured, and the activity of street confrontation has decreased. The main feeling that the heroes of the film, named after the cult novel by Anthony Burgess and Stanley Kubrick's tape, indulge in is nostalgia, and after it comes a new understanding of the years experienced and an understanding of the enduring value of the main motor of conflict activity – youth.