An aging Caucasian man chats with his young Filipina lover only to witness the harsh social ills and injustices around the life of the young Filipina.

The manager calls in the director to give him one in a hurry. The director shows him several scripts, but they do not suit; so the director is compelled to call the scenario writer to have a play written in an hour. The director summons his company and reads the play to them; then tells them to make up, while he gives his plots to the stage manager. Being weary, he falls asleep in a chair in the center of the stage and dreams the following: A young girl, employed in an office, falls in love with the head clerk. The boss is a black mustached villain, who is also in love with the girl.

Marriage and the challenges of motherhood prove too much for ex-factory worker Mary. Will she follow the sound advice of the health visitor - played by famous actress Dorothea Baird, who also conceived and wrote the film - and improve her ‘mothercraft’ skills, or will she continue to take solace in alcohol, as prescribed by her wayward neighbour?

Narrated documentary of the making of Anthony Adverse (1936), featuring many clips from the actual film.

The movie transports the Precure into a world inside a picture book, where they are guided by Niko, a mysterious inhabitant of the picture book world.

There is very little information available online on this little gem, the first 'feature-length' film shot exclusively in Iceland by an Icelandic director, the pioneer Loftur Guðmundsson. Director and crew travelled all around the country with the ambitious goal of documenting all the aspects of the local life at the time. Fishing plays an important role (being then, by far, the number one national industry); one can also witness the humble beginnings of 'city-life' in the capital, one of the first (or was it the very first?) cars driving in Iceland, beautiful pastoral shots of farm-lands, ladies posing in the national costume, as well as fighters indulging in the national sport, 'glyma'. The 21st century traveller will be able to recognize a number of landmarks. The images are often naive, genuine, and captivating. In my opinion one of the most valuable Icelandic films. --Ewolve

Happy fun times with a little crew of people driving around to backwater villages to show movies in places where the locals don't get much culture. But all good things come to an end...

A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.

Country rube thinks what he sees on the movie screen is real. He jumps out of his seat to try to stop a kissing scene.

A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.