Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

Charming young Olga marries a successful businessman. It is surrounded by luxury and well-being. A wealthy husband is ready to fulfill any whim of a beautiful wife. Olga is an airy woman who is fond of doing herbariums, sewing dolls, reciting poems to servants and loves her oligarch husband very much.

Camille writes a letter to her unborn child. Recently diagnosed with bipolar disorder, she does her best to prepare for life as a new mother.