The film started as 40 minutes of shots of London during the first UK Covid 19 Lockdown (the strict phase of which began on 23 March 2020). These were taken on my phone during permitted exercise (cycling). The shots from 26 March are “imitated”. On the alto saxophone I have recreated and recorded as many as possible of the original sounds from the (poor-quality) audio on my phone-shots, and thus replaced the original audio.

The shots from 28 March replace the original audio, too, but are “inverted”. I wanted to make a soundtrack that was in some definable way the OPPOSITE of the actual sounds recorded on my phone.

This year, 36 actresses are being highlighted by the Revelations Committee of the Academy of Cinema Arts and Techniques. Lukas Dhont, a true revelation himself since his first feature film, Girl, was awarded the Caméra d’Or at the Cannes Film Festival in 2018. He chose to feature this new generation of talents within a “dance marathon”, these exhausting competitions which took place in the United States during the Great Depression, magnificently immortalized by Jane Fonda in a film by Sydney Pollack in the 60s. Through the artistic vision of Lukas Dhont, it is no longer a question of confrontation, but on the contrary, of solidarity and cohesion. Times are changing... Revelations draw their strength from unity.

Compilation of a series of submitted videos of UFOs and UMAs collected from home and abroad. A TV phone video of a man making contact with his smartphone on his way home. What suddenly appeared in the video, which was left on a used PC?