Mysterious images shot around a wadi (a waterway in North Africa or the Middle East, often dried up), perceived as too calm by the filmmaker and his brother hence the “windless” of the title, are the setting for excerpts of audio conversations. In these, three men painfully describe their unmentionable traumas, which they have buried since childhood.

A Swiss art dealer and a Russian Oligarch caught in a web of secrets, lies and mad money. The inside story of an international billion dollar game where power is the ultimate currency.

A short film with shots of sculptures by Anneke Walvoort. The materiality of film plays an important role: visible grain, flashes of colour, unexpected camera movements.

Another approach to the same complex of story and videographic operations. This time the videographic work takes primacy and is almost wholly abstract. The story-telling strand is presented (enclosed) as a self-contained element within the overall image although even here the unity of sound and picture is abandoned – none of the sound recorded matches with the image of the speaker telling the story of Nohi Abassi. The story penetrates and interrupts, and is interrupted by, the processed imagery and sound in narrative sequence, but its imagery is also made an element within the videographic episodes. It is accompanied by rainforest recordings, as a simulacrum, a stylised assemblage referring to the idea of an alternative/magic, ideology of existence and order. Sharp collisions of content. Everything is permeable, every image becomes information and processing.

It's everyone's favorite time of year in the magical land of Puff! However, when Eggy and his friends notice the evil Crow Witch is trying to ruin their big party, the animals begin their hunt to save the town!

Four thieves attempt to make the richest score in history.