Set in 1992, a manager Vincent has to run a children's holiday camp for three weeks and to face the unexpected concerning the place, his colleagues, various problems linked to children about the rooms, trips, their belongings...

Voices...HORRIFIC Content...Right Here In The Holiday Of Horrors.

Winnie, a woman in her fifties, is buried waist-deep in a mound of scorched earth, with just a large, black shopping bag and a collapsed parasol. Behind her and hidden from view sleeps Willie.

Eight youngsters become a close-knit group after attending engineering college and sharing their experiences.

Love is love. Someday, the pain of being in love will be an endearing memory. No matter who the feelings are towards, no matter what form it takes, all love and lifestyles have the same value. An omnibus anime tells the stories of “The wedding of an ex”, “a student and a teacher at an all-boys’ school” and “childhood friends whose bodies and hearts change with adolescence.”

An adaptation of Samuel Beckett's absurdist drama. An ordinary woman lives her humdrum life half-buried in a pile of dirt; her husband is partially visible behind her. She goes through her daily routines, ever hopeful that this is going to be a happy day.

Margie, singer on a showboat, decides to try her luck in New York inspite of being in love with the owners grandson. She is successful, but suddenly she hears that the showboat is in deep financial trouble, and she calls all the boats former stars to join in a big show to rescue it.

Winnie Winkle's wee brother Perry captains a rag tag sandlot team.

Happy Days is based on the true events of the CIA’s involvement in the adult film industry in L.A. The story follows a director as he is recruited in 1959 to make a "special" film for the CIA, (Code Name: “Operation Happy Days”). A wild, crazy and yet unbelievably true story of a CIA black-ops that spins a tale of intrigue, sex and the underbelly of the film industry.

Winnie is buried up to her waist. The merciless sun beats down. Her husband Willie barely speaks. And yet! - she proclaims – ‘this will have been another happy day’. Defiant, determined and fiercely resilient, Winnie greets each day with humour and boundless optimism, and lives as best she can between the bell for waking, and the bell for sleep. Siobhán McSweeney (Derry Girls) plays Winnie in Samuel Beckett’s masterpiece. Directed by Caitríona McLaughlin, with Marty Rea (Waiting for Godot) as Willie, the creative team also includes Jamie Vartan (design), Paul Keogan (lighting design) and Sinéad Diskin (sound design).

An unnamed hero roaming the streets of St Petersburg is befriended by a beggar with a donkey and a slightly deranged prostitute.

Pinhead is ridiculed by the other boys on the way to the fishing hole.

21-year-old Misora Honzawa went to Tokyo from Aomori. Misora Honzawa happens to see Kumi on TV who is a yoga Instructor and model. By chance, the two women begin to live together. At first Misora Honzawa, who is easygoing, and Kumi, who is high maintenance, do not get along with each other. Because they share interests in yoga they eventually become closer and think about happiness and life.

An Aesop’s Film Fables cartoon.

In a heartfelt tribute to Hollywood legend Garry Marshall, his family and friends share their favorite memories of the creative genius behind some of the most memorable series in television history.

Two friends, Szczepko and Tonko, are made unemployed in a toy factory where there was a ban on singing and they broke the rule. In a park they find a abandoned baby, and they take it into their care. Meanwhile, Wanda, owner of a toy shop, comes to Lwów with her uncle. He wants his niece to work for the director of this factory. By coincidence, the child is given to Wanda. Szczepko and Tonko look for him desperately. But the uncle is more and more happy about having the child. After numerous hurdles, the child remains at the uncle's, Wanda and Julian are in heaven, and Szczepko and Tonko, reconciled with fate, leave....

Sylvie, a rich girl, learns at the same time the death and the ruin of her father. Forced to find work in Paris, she is given shelter by a medical student who soon falls for her. Another young man falls in love with her. When her benefactor gets ill and finally dies, Sylvie refuses to give the other man her heart out of faithfulness for the dearly departed. But youth commands and after a time love -but not oblivion - triumphs.

Five young people - brothers, sisters, cousins ​​- are on vacation in the countryside. Pernette suggests to Marianne, who wants to be appreciated by her cousin Olivier, to make him jealous by inventing an aviator in love. At this announcement, Olivier bursts out laughing, but an airman knocks on their door, his private plane having had a breakdown. The mirage then becomes reality, and thanks to this unexpected visit many feelings will come to light.

In 2002, on the occasion of her brother’s wedding, Dominique Cabrera begun to shoot the gathering, and decided to continue over 10 years, time imprinting its marks on her family and "becoming the film" as she expresses it. Halfway between Agnès Varda and Alain Cavalier, Dominique Cabrera delivers a sensitive film both intimate and universal: "Ten years ago, my brother Bernard got married for the second time. We all went to the wedding in Boston, where he lives. It felt as if we were four little children again with our mom and dad. I had brought along a small camera, which I began to use to film our family. I've continued to this day..."

The architect, who took up arms for the first time; the celebrated actress, who was swept along by the tide of circumstances; the famous director, who even filmed the atrocities; the pianist, whose performance was followed by thunderous applause on that day of revolution in 1956. How everyday people in Hungary and in Canada lived through it. In the picture entitled: Happy Days - Falling Stars Canadian people such as Robert Hage ambassador, George Jonas writer, Anna Porter writer, Dr. Bela Fejer and Dr. Thomas Fried tell their stories about their experiences of 1956. Also appearing is the last public interview of author Gyorgy Faludy.