A surfer abandoned in the middle of the Australian Outback encounters an alien who time-travels in a ship that looks like a 1950s greasy spoon restaurant and embroils the hero in a chase that involves him sorting out a time paradox so that he can wind back time to prevent the Japanese winning World War II.

With a travel guide tucked under the arm photographing visitors walk into narrow alleys and then reappear. Children, who start to chase each other in between the columns, adults, who try their jumping skills. This refers to the Memorial to the Murdered Jews of Europe in Berlin.

Donnenberg’s image-poem documents the inevitable onward push of time and its effects upon a landscape over the course of the four seasons: a slow reawakening in spring; beautiful bursts of color in summer; the quiet slumber of autumn, and finally, the fields and flora sinking back into the cold sleep of winter. With the duration of each section equal to the length of a Super 8 cartridge, the gradual deterioration of nature is inherently tethered to the film’s materiality, its scratchy, organic texture itself becoming a meditation on the sad passage of time and the immanence of death. (David Perrin)

Since 2020, Covid-19 has spread all over the world, and daily life has changed completely. No one knows what the future holds, and through every scene in this film, we hope to comfort each other and make us cherish what we have right now.

Experimental film by Rosi S.M.

Havana 1977: One day I decided to go into exile. This film relates the return to my home town thirty years later. My clandestine camera goes at the bottom of the Cuban society, just as Fidel Castro has officially given the power to his brother Raul. He has held the reins during forty-eight years of absolute power. The children of the Cuban revolution are now facing a bitter day-to-day life while a new upper class lead by the old generation in power is desperately hanging at it.

"The Children Remember" is a look at "Casablanca" with Ingrid Bergman's daughter Pia Lindstrom and Humphrey Bogart's son Stephen Bogart.

A movie about the vital power of music and a unique insight into Chinese history.

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

1997 documentary, part of the Taiwan-produced series "Personal Memoir of Hong Kong", is both a self-portrait and a depiction of Hong Kong during the 40 years preceding the handover by the United Kingdom to China.

An aging and once prominent film actor spends the last days of his life in a rundown retirement home. A surprise visit from his son unravels a series of events that will change their perspective on life, death and family.

تعرض عامل الشركة ميكامي ساتورو للطعن من قبل قاتل عشوائي، وولد من جديد في عالم بديل. لكن تبين أنه ولد من جديد لوحل! تم إلقاؤه في هذا العالم الجديد باسم Rimuru، وبدأ سعيه لخلق عالم يرحب بجميع الأجناس.

Outspoken as ever, comedian Joe Rogan takes on politics, pro wrestling, pot laws, cats, vegans and much more in a stand-up special shot in Boston.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

A number of different segments taken from 19th century Italian stories.

Emilio and Patricia meet at a friends gathering, the attraction is instantaneous, however it is impossible: they are both in relationships. In spite of that, they will spend the rest of the night together, talking, observing, knowing that they cannot do anything else and that they will never be able to have anything else.

A true story of existential crisis in the life of an elderly couple who feel that they are leading unproductive and obsolete lives, and hence seek active euthanasia as an unusual  remedy.

A short film omnibus featuring the work of five directors representing five countries involved in the 2017 BRICS summit, an annual international relations conference held between Brazil, Russia, India, China and South Africa. The collection—taking the concept of time as a unifying theme—depicts the economic, political, and social alienations and contradictions that create, compound, and structure issues as wide-ranging as poverty, class stratification, and homeless; familial distress; spousal abuse; and natural disaster.

The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.