In the wake of historic climate disasters Kentuckians of color and their allies come together to support impacted community members, and cultivate the joy and diversity in Appalachian culture to inspire and facilitate change. The land, as well as the history of residents of color, are eroding away. Our goal is to not only preserve, but to give a platform for impacted residents to tell their stories, and in turn inspire viewers to elicit government action to heal and revitalize the land and community.

In this fascinating sequel to "Is Genesis History?", watch a team of scientists discover new evidence for the global Flood. By the time the journey is over, you'll understand exactly how modern science connects to the book of Genesis.

The Somerset Levels are one of the most beautiful parts of Britain, but in the winter of 2013 they faced a natural disaster. One village, Moorland, was entirely engulfed by the floods. Deluged by water, the villagers watched helplessly as their lives and homes were washed away. This programme follows their year-long struggle to get home again after the water drained and media attention shifted away. Although the residents put on a brave face, the realities of their fate pile up - the refusal of insurance companies to pay up, and the months of delay with the builders. All this adds fuel to a heartfelt frustration that the floods were man-made and the nagging fear of what would happen to them if and when the waters return.

On Friday, June 23, 1972, Pennsylvania suffered the wrath of Hurricane Agnes, which at the time was the costliest hurricane to hit the United States and would claim the lives of 128 people in the storm’s path. Now, at the 50th anniversary, WVIA explores what we as a region have learned from the Agnes tragedy. Half a century later, how did this epic event permanently change our communities – economically, physically, and emotionally? What have local communities done over the past decades to address and mitigate potential flooding in the future? Have we done enough?

Tokyo, 2018. A small laundromat at night. Three young women are making fun of Anna for caring too much about her love life. But they will soon regret it as Anna's revenge plot will haunt them all night long. What follows is a pursuit through the streets of Tokyo during which fear and attraction collide. Danger is never far in this film borrowing codes from both Hitchcock films and independent Japanese thrillers.

In 2064, the world is on the verge of destruction. The UN has developed a form of time travel: a person’s memories and personality can be transmitted to the past, to who they were at the moment of conception. Henrik, brilliant but narcissistic physicist is chosen for a mission so he can publish his blueprint of a fusion reactor that can prevent climate change from ever happening. But something goes wrong, and Henrik is born in the wrong body and has to learn humility while living his new life as a boy he used to torment as a child.

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A 8mm experimental short.

On the 3rd of April 2014 flash floods hit Honiara, capital of the Solomon Islands. My 30 minutes long documentary looks at the aftermath of the flood and shows what happens in a poor South Pacific nation when 10'000 people, most of them illegal settlers, are left homeless and conflicts arise.

The Chinese metropolis of Lanzhou lies along the Yellow River. Over a four-year period, the director Yuan Zheng follows the traces that could have been left by the works on the river, undertaken in the 1950s.

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.

Short art film by Gao Xingjian.