In the wake of her mother's tragic death, French teenager Junie transfers to a different high school. Though Junie lives mostly inside her own head, her beauty and stoicism win her the attention of the entire male student population. Junie begins dating the gentle Otto Cleves, but finds herself intensely drawn to her youthful Italian language teacher, Nemours. When Nemours begins to reciprocate, serious complications ensue.

Princess Kiyo accidentally injures a local priest, Anchin, while on a hunt. She apologizes, but feels irritated by Anchin’s indifference to her in spite of her beauty. One night, while Anchin is recuperating in a hot spring, he is approached by Kiyo. She tells him that she is in love with him.

Kogoro approaches the true face of a bloody clown who attacks beautiful women one after another!

The first in a planned series of films about radical filmmakers by film critic Nicole Brenez and filmmaker Philippe Grandrieux, It May Be That Beauty Has Strengthened Our Resolve is a portrait of Masao Adachi, who emerged during the Japanese New Wave of the 1960s as a screenwriter for Nagisa Oshima and Koji Wakamatsu, and directed a series of avant-garde films that grafted radical politics to the sexploitation genre. A 1971 visit to a Popular Front for the Liberation of Palestine (PFLP) training camp while on the way back from Cannes resulted in Adachi's most infamous film, the agit-prop documentary Red Army/PFLP: Declaration of World War, which he co-directed with Wakamatsu. Soon after, Adachi joined a splinter cell of the Japanese Red Army in Lebanon, where he stayed from 1974 until he was deported to Japan in 1997 to serve time for passport violations.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

As he nears graduation from university, Hira begins working as an assistant to the popular photographer Noguchi. Witnessing a professional job, he gradually distances himself from Kiyoi, not wanting to get in the way of him as he expands his career as an actor. Hira, who can only think "Kiyoi is a god" and a precious being, and Kiyoi, who wants to be an "ordinary" lover on an equal footing with Hira, miss each other little by little.

Marcela can't bear Jarda any longer, so she threatens divorce and takes the kids to her mom's, whose husband is a creep. While Marcela is there, Jarda is jailed, because he is part of a gang steeling cars and they get caught in the act. Benes, the urbane man whose car got stolen by Jarda and his gang, befriends Marcela. Soon she feels drawn to Benes and all of a sudden she must make up her mind: Jarda is still sexually attractive to her, but Benes offers security, and her own body and mind may not pull at the same strand.

Another school year is starting. Upon meeting up with Gii, Takumi is worried when it turns out Gii has changed, suddenly acting cold and distant. Could their relationship be in danger for real this time?

In the kingdom of Letonia, the young prince Égon spends his nights playing the drums. During the day, he only has one thing on his mind: finding Sleeping Beauty in the kingdom of Kentz and breaking the spell over her. But his father, the king, doesn’t believe in fairy tales, and is completely opposed to Égon’s dream. It’s Maggie Jerkins, an archeologist from Unesco, who will provide Egon with the opportunity to follow his heart.

The Beauty of the Adriatic was created as a promotional tourist film, but through its unusual and even bizarre formal devices it overcomes the promotional function. The narrator of the film is constantly communicating with the viewer, exclaims and inserts jokes, and we also see him in the film as a guide entertaining us with various gestures and movements. In the film there are also interspersed humorous animated scenes, an interview with Hamlet, poetic sequences and stylized scenes such as one where the camera is "looking for" the lost guide.

The story is adapted from Pu Songling's original book Liao Zhai's Strange Stories. The story is about the murder of a number of men in Jinning City. As the mystery unfolds, the legendary banshee turns to be the work of a female demon. The demon-hunter Gu Shijie battles with the demons and the heroes in a battle of wits.

The palace painter Lu Jiuqing accidentally used a magic brush to open up the world in the painting, and met Yan Ge, the grass and tree spirit. The faces of women in the city were destroyed one after another. In order to find out the truth, the two entered the tomb of life and death. The demon king peeled off the skins of the plant elves, and Yan Ge, who had lost her beauty, turned into a ferocious withered branch. A test of skin and sincerity was placed in front of Lu Jiuqing.

In a rural district of Tokyo, the owner of a farm is abandoned by his two daughters who are attracted to the life of the big city.

This movie is about life of ordinary people who simply love, walk, talk, play...

Obscure Hong Kong movie from TVB

Centers around experiments on a disembodied, living female head. This is one of only a small handful of horror films produced by Mainland China in the 80s since genre films were banned there until the late 80s.

Focusing on the relationship between men and women in a beauty salon, Dae-hye, the director of a korean erotic film beauty salon, becomes more difficult to sell in a depression. The building owner’s rent pressure also comes in, and employee Juhee suggests to Dae-hye to do a bikini service, saying that a bikini beauty salon has hit the jackpot in a foreign country. Surprisingly, bikini service is on the jackpot and guests are increasingly looking for a more powerful service.

They had a fleeting vision one night during the filming of Mr. Beautiful. One of them told Selim Nassib in Arabic that she had walked from Gaza to become a transsexual in Tel Aviv. I called her La Belle de Gaza. With my camera, I looked for her everywhere.