After the sacred scripts of Tammo are stolen from Shaolin, a young girl is taught 18 forms of Shaolin kung fu to enable her to venture outside the temple and recover all of the volumes.

Following his defeat by Master Ip, Cheung Tin Chi tries to make a life with his young son in Hong Kong, waiting tables at a bar that caters to expats. But it's not long before the mix of foreigners, money, and triad leaders draw him once again to the fight.

A wild and rollicking martial arts fantasy extravaganza that features prized swords and swordsmen, a crazy monk attached to a rolling boulder, serious clan and cult rivalries, and lots of magic and flying.

The King Boxer shares a name with two early 70's martial arts films, but shares a lot more with some later vintage films of the genre. Most obvious is Fong Sai Yuk, from which large chunks of plot are lifted, but the not-particularly-observant will recognise elements from Fist Of Legend and Tai Chi Master and Sammo's Prodigal Son. Well, original story lines aren't exactly a strong feature of the kung fu genre I guess tongue.gif Chin Kar Lok stars as the headstrong young (!) son of a business man who is far more interested in learning Kung Fu than business wiles, and joins the Yiyin kung fu school despite the fact their master was just defeated by their rivals and it is going to close.

Shaolin and Wu Tang join forces to combat the evil White-Haired Priest using the five elements of kung fu. From this emerges what will become the style known as Tai Chi Chuan from its founder, Chang Shen Fong. See real training, such as the hall of wooden men. Witness the united strength of the Shaolin Monks as they help Chang Shen Fong against White-Haired Priest. See the Three Snake Fists, Black Palm Poison, and other styles for the first time! Jewels from the Wu.

A 17th-century folk tale about four thieves trying to survive in a corrupt world during the Song Dynasty (10th-13th century) is the unusual source material for this blinding debut. The timeless sources that director Ma Lanhua mines also comprise French comedy, Chinese opera and contemporary (performance) art. Ma also utilises cinema's history, particularly the early, silent era with title cards, colours reminiscent of hand-coloured films and special effects from the arsenal of film pioneer Georges Meliès.

Unicorn travels to a village troubled by gangsters in search of revenge for the murder of his parents years before. The task is made more complicated when he befriends a middle-aged woman and her son who begin to admire and depend on him.

Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains — they’re wizards with giant, elasticized tongues who use black magic to control... kung fu gorillas!