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September 23, 2003

In Tree Hill, North Carolina two half brothers share a last name and nothing else. Brooding, blue-collar Lucas is a talented street-side basketball player, but his skills are appreciated only by his friends at the river court. Popular, affluent Nathan basks in the hero-worship of the town, as the star of his high school team. And both boys are the son of former college ball player Dan Scott whose long ago choice to abandon Lucas and his mother Karen, will haunt him long into his life with wife Deb and their son Nathan.

Laced with humour and a touch of the absurd, this is a story with Margaret and Clive Lewis at its heart. These unlikely heroes' quiet lives are changed in an instant when they find themselves on the wrong side of the law. Set in a bypassed town at the edge of a valley, this is a story about crumbling values, resilience and transgression being the key to liberation.

Commentary by the cast members on their time filming the TV show One Tree Hill

Based on a short story written by Shuhei Fujisawa (who also wrote Twilight Samurai, The Hidden Blade, Love and Honor), the film depicts the uneasy life of Noe Isomura (Rena Tanaka) with the difficult family she has married into after her former husband passed away. One day as she tries to brake off a branch of a cherry tree, she is aided by a samurai who she does not recognize but who recognizes her. He turns out to be a former suitor that she never met named Yaichiro Tezuka (Noriyuki Higashiyama) and who teaches swordsmanship to the local samurai. Meanwhile, the powerful new chief retainer of the village enacts land policies that threaten the survival of the local farmers.

October 15, 1951

A meek bank clerk who oversees the shipments of bullion joins with an eccentric neighbor to steal gold bars and smuggle them out of the country.

September 18, 1956

Based on real events, A Hill in Korea charts the fortunes of a small group of British soldiers serving in the Korean War. Out on a routine patrol, the soldiers find that Chinese troop movements have cut them off from their own lines. They try to fight their way back to safety but with the enemy surrounding them on all sides, the prospects look bleak. Facing almost insurmountable odds, they decide to stand a fight.

Three men meet in the same prison and in their cell they find a Mexican boy condemned to death for murder. One night the three convicts are mysteriously released by a priest and the father of the Mexican boy who promises them a reward of $30,000 if they can find the real murderer within ten days. Certain that the Mexican boy is not guilty, Reno and the others organize a plan which leads to the unmasking of the real killers.

In that cold northern city, the young and reckless Haibo (played by Huang Haibo) and the beautiful and elegant Xiaoqing (played by Tan Zhuo) met on campus. Just like those silly boys who are desperate for love, Hai Bo clumsily but persistently pursues love with the help of his friends. He stood on the roof and made a loud confession, and his friends saw that the Christmas tree invited Xiaoqing to dance. Youth is beautiful but fleeting. When they finally come together, they gradually find that the romance of the past is slowly disappearing, and the cold reality makes each other appreciate the hardships and bitterness of life. Hai Bo recalled the dream wolf and impulse in his youth again and again and unconsciously split into a self who ran rampant in the underworld and dared to think and act, and a self who succumbed to reality and made compromises. Under Xiaoqing's cold gaze, the two Haibo started to fight for the long-awaited good life.

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?

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