We look back at more than half a century of mysterious artistic creation while trying to crack a unique artistic code. Why are people moved to tears when Robert “Bob” Wilson puts minimalistic petrol pumps into a production of Shakespeare’s sonnets? Why does merciless repetition change our understanding of something? Together with Tom Waits, Willem Dafoe or Marina Abramović we trace back our own experience of Bob’s art. Is it true what Philipp Glass the collaborator of the milestone piece “Einstein on the Beach” laughingly and with apparent pleasure exclaims “what does it mean? It doesn’t mean anything!”?

Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational opera for the 1984 Summer Olympics. Filmmaker Howard Brookner follows the avant-garde theatre director as he confronts a hectic work schedule, funding difficulties and relentless international travel in attempt to complete his preparations. The film examines Wilson’s unique theatrical style during The Civil Wars: A Tree Is Best Measured When It Is Down, which involves the continual creation of evocative stage sets, owing to a unique juxtaposition of movement, sound, text and image. Known for his precise, painterly images Wilson’s work derives more from visual art than the orthodox literary traditions of theatre. As a result, Wilson often challenges actors to perform in a boldly minimalist style, as well as collaborating with non-actors, such as young autistic poet Christopher Knowles in Einstein on the Beach.

Introduced by Joseph Matheny, Robert Anton Wilson introduces this lecture as a discussion of "The Western Hermetic Tradition" from Bob's unique point of view. Its sweeping scope covers centuries of individuals and groups like the Illuminati.

Guerrilla ontologist. Psychedelic magickian. Outer head of the Illuminati. Quantum psychologist. Sit-down comic/philosopher. Discordian Pope. Whatever the label and rank, Robert Anton Wilson is undeniably one of the foundations of 21th Century Western counterculture.Maybe Logic follows a reality labyrinth which leads through the hollows of human perception to the vast star fields of Sirius where we find one man alone, joyfully accepting his status as Damned Old Crank and Cosmic Schmuck. Beaming with insight, frustration, compassion, and unshakable optimism, the ever-open eye of Robert Anton Wilson penetrates human illusions exposing the mathematical probabilities and spooky synchronicities of the 8 dimensions of his Universe.

In March of 2018, Steven Wilson played a sell-out three night residency at one of the world's most iconic venues: London's Royal Albert Hall. Coming at the tail end of a lengthy European tour, these concerts were the crowning achievement of an incredible seven-month period that began with the release of Wilson's fifth album, To The Bone. This release is put together from footage filmed on the final night of that run. Multiple cameras from every conceivable angle in the auditorium and on the stage, and the sound has been specially mixed by Steven in both 5.1 surround sound and stereo.

When Benjamin Franklin Pinkerton (Martin Thompson), Lieutenant in the United States Navy, meets the 15 year-old geisha Cio-Cio San (Mrs Butterfly), he finds her so exotically lovely that he marries her, and the two lovers quickly have a baby together. But the American man only stays for a short time in Nagazaki, and finally goes back to the United States, where he marries another young woman..

He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Part. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Part. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.