Adaptation of Huang Chunming's short story "The Two Signpainters".

This is the tale of a voyage which began one morning with a Skype conversation between the musician Mikel Urdangarin and the artist Alain Urrutia. The painter will give Mikel one of his paintings as a gift, but on one condition: the musician will have to go and fetch it in London, by ferry, crossing the sea. Taking the journey as an excuse, we will enter the everyday life of an artist committed to living from his work until reaching the key hidden in the centre of every artist’s labyrinth, since all searches are in fact a voyage; the creation process in itself is a voyage.

It’s a story with many layers. It’s about the painter João Ayres (1921-2001), an artist in transit between Portugal and Africa who became forgotten in the narrative of Modern Art. It’s also a story about his family, who inherited a significant body of work. One of his grandchildren, Diogo Camilo Alves, the narrator, wants to make his grandfather’s art more accessible and has been fighting for its conservation and restoration. It’s also a story about the house that the painter built, where many of his works still reside and where his memory is very much alive.

A grey world makes people somber. A world full of colors makes people irritated. What is a poor painter to do if he wants to please this insatiable and daft crowd? Paint it white?

A documentary portrait of Tiit Pääsuke, the most prominent painter in contemporary Estonia. Artist per excellence, creator of the imaginary picture-landscapes, a charming person, adorer of the woman’s beauty, gentleman and a colonel in local whisky club - Tallinn Uisge Beatha Club. “When painting, I compose the details of my pictures, my human models not as traditional painter, but more like film or theatre director works with actors, my compositions are as performances, theatrical happenings”. - Tiit Pääsuke

On the eve of the German Peasants' Revolt, painter Joerg Ratgeb is occupied by a crisis of his own: finding a model for a Christ figure. He sets off on a journey to consult with his artistic role model, Albrecht Dürer. Although Ratgeb has always tried to stay out of the political conflict, his journey brings him face-to-face with peasant revolutionaries and the brutality and violence of their daily lives.

Story about how the plasticine heroes "Any" and "How" paint factorys fence. The film makes fun of slackers and bungler.

In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.

A former history teacher, currently a house painter is broke before the New Year. Faith meets him with the rich man, who wants his living room to be painted by 4 o'clock for a hefty pay. The father and his six children begin the heavy task with a song. When all is done, the rich man calls that he is going to pay the house painter on the 2nd of January. The father decides to celebrate New Year no matter what.

A documentary about Latvian artist Džemma Skulme.

A game of secrets and unsaid things in a neighborhood where three characters cross paths in turn: two lovers and a painter.

The painter Otto Dix (1891-1969) dissected and exposed his time like no other. The portraits from the world of the milieu of whores and suitors, of sexual violence, were a taboo break. His brutal depiction of war shook society - he was a ruthless chronicler of his day. In contrast, private life with his wife and children shows the gentle side of the provocative painter. Nicola Graef's film "Otto Dix - The Ruthless Painter" is dedicated to this interplay of life and work. Like few other artists, Dix used his personal experiences and experiences as the basis for his work.

The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice: that of the singer Esther Lamandier (who goes by the same name as Arié: Mandelbaum means «I'amandier»).

Artist Kyeong-pa is asked by the father of a dead girl to paint a portrait of the man's daughter to put her soul to rest. But whenever the artist tries to paint it, a different woman appears on the canvas. The image always takes the form of a woman whom he loved but has also passed away. The ghost of the man's daughter is not very happy that her painting has not been finished and makes her wrath known.

Amateur painter lies about his ability to see ghosts and takes on a job as a ghost painter on a TV show. Turns out, he could actually see the ghost.

Short piece for the TV series Aujourd'hui en France [Today in France]. The review of an exhibition by Miró at the Maeght Foundation offers the opportunity to approach the surrealist artist from the filmmaker's central themes: the theatre, the interrelationship between the arts and the transformation of the childhood experience through art. The ensemble is like a work by Joan Miró translated into real life. This is its first screening after its television premiere in 1980. Translated with www.DeepL.com/Translator (free version)

Short Bulgarian documentary shown at Cannes 1961.

Every fifteen days, Antoine, five, spends the weekend at his father's house. Time is counted, limited, condensed. For them, two days to do, to do again, to learn, to understand one another and to each other is little ... The father opens his son the initiatory territory of the forest where to kill is not playing. But on the return of the hunt, the father and son are equally disarmed: Antoine refuses to learn to read, and his father knows that this unknown forest of life is even more dangerous if one loses oneself.