Momofuku TV employs CG animation to look back at the history of instant ramen and tell the story of how Momofuku Ando overcame great adversity to achieve inventions of worldwide importance. The program presents the six keywords that drove Momofuku’s creative thinking in a fun and easy to understand way.

A cinematic visit to the Pergamon Museum in Berlin. The camera usually observes the visitors and paints their views on scenes of the ensemble of figures. The amazement at the beauty and grace of the antique sculptures is reflected in the faces of the viewers and emotion is palpable. The visitors come from all over the world - one sees Indians, Asians, Blacks. All age groups are represented, from children to old people. They come individually or in groups and communicate about what they see. The film gets along without any comment. You see more pictures of the visitors than of the altar. This means that it is important for the film to show the cultural interest of the people. Gerhard Rosenfeld creates atmospheric music with a classical feel to it. An early and extremely interesting work by the great documentary filmmaker Jürgen Böttcher.

Patrick Cazals’ film, La Dixième Muse, brings Musidora to life for the second time. The first occasion was the publication of his earlier book on the same subject with Henri Veyrier in 1978. The latter remains an essential work of reference because its author was the first person since Francis Lacassin to have surveyed Musidora’s career as a pioneering filmmaker and total artist. It includes previously undiscovered documents that are no longer accessible in their original form. This film too contains many previously unknown images found and selected by Patrick Cazals. Above all, it offers the animated image of a beauty in a close-fitting black suit, and her voice that speaks directly to us, alongside the voices of all those the director has brought together to establish a subtle bond with Musidora and bring her into our own age.

In her village in Panama, Senobia saw art in everything. Put a broken umbrella on a bottle and you have the head of a wild man. A stick plus a plastic cup becomes a bird. She turned her house into “The Museum of Antiquities of All Species.” There are old telephones and computers, and hanging everywhere are cards on which she wrote her thoughts. Her last wish: to keep everything in her museum as it is.

As the painter looks on, the visitors to an exhibition turn into surreal creatures borne of his own fantasy. The beauty of a girl beckons him to the realm of dreams. As he wakes up he no longer sees her among the guests. He walks home unhappy, followed by his strange audience. She waits for him in his attic room as a muse.

A stone’s throw from the iconic Cheops pyramids, another famous man-made creation rises, towering over the Giza Plateau - The Grand Egyptian Museum. The construction of this ultra-modern building of unprecedented proportions, stretching over 117 acres, was recently finalised.

Concert documentary film containing Nana Mizuki's LIVE MUSEUM 2007 tour held at Yokohama Arena on February 12th, 2007.

Experimental short film about composer Felix Mendelssohn travelling to the Jewish Museum in Berlin.

Many know Munch as the man who painted The Scream, but his complete works are remarkable and secure his place as one of the world's great artists. Munch 150 goes behind the scenes to show some of the process of putting the exhibition together - as well as touring Norway to provide an in-depth biography of a man who lived from the mid-19th century right through to the German occupation of Norway in the Second World War.

A member of the high school art club called Sakuko falls into the sea while sketching a boat. Witnessing the incident, Saibara creates a painting titled "Drowning Sakuko" and wins an award at a contest, leading the painting to be displayed at school. Moreover, Saibara takes the liberty of announcing that she will paint Sakuko for her next piece during a newspaper interview. Frustrated by the situation, Sakuko gives up on her artistic path and attempts to create a new work with the motif of a "boat" in her home, which is scheduled for demolition.

It is the future, the world is in ruins and a large portion of the population consists of deformed mutants living in reservations. In this world a man decides to spend his vacation visiting the ruins of a museum that is now buried under the sea.

With his career on the skids, a Hollywood screenwriter enlists the aid of a modern-day muse, who proves to test his patience.

A documentary about the Ghibli Museum. It features Goro Miyazaki speaking with Isao Takahata about the "charm" of the museum and its various influences. Goro tours the viewer around the museum, explaining the intricate details that his father, Hayao Miyazaki made during its construction. The documentary highlights the strong European influences in the museum's architecture, featuring footage of the medieval mountainous city of Calcata in Italy and the historic port city of Genoa, which Miyazaki had visited in the past. These trips would go on to influencing the imagery seen in Castle in the Sky, Kiki's Delivery Service, Porco Rosso, and Spirited Away.

Through a misunderstanding, Chul-su arrives on the doorstep of Chun-hie. Having nowhere else to go, he forces her to allow him to stay until they can contact their mutual friend to solve the problem. Their initial contempt for each other gradually softens.

Terrifying wax figures of renowned personalities, such as Attila the Hun and Jack the Ripper, surround the sale of a London museum.

Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.

Takashima is a young struggling actor who wants to be a film director. The film follows his chance encounters and career highlights (and lowlights!) as he strives to reach the top, and details his attempt to create the perfect film.

The disappearance of people and corpses leads a reporter to a wax museum and a sinister sculptor.

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.