This movie, which will be released exclusively at CGV, is expected to be a special gift to fans as it also contains a story that Jinhyuk Lee tells his fans, 'V-dan', who always support him.

John Lee Hooker was one of the greatest bluesmen of the 20th century. Born into poverty and racial segregation, he lived through a monumental time in American history. This is the story of a cultural icon, and his far-reaching impact on popular music, told in his own words and those of his family and closest collaborators. Interviews with Keith Richards, Van Morrison, Carlos Santana, Bonnie Raitt and Robert Cray tell how an illiterate man from the rural and impoverished backwaters of the Mississippi Delta influenced their own musical journey. We reveal his part in bringing the Blues to a new generation of young British musicians and how, in turn, those musicians introduced young, mainstream Americans to their own cultural heritage.

Once there was a boy Junseop LEE, who's the least liked boy in his class. With no true talents, the only thing that makes him stand out from his peers is his ability to eat anything. With this talent under his belt, his spirits run sky-hight and he can't wait to show off his new eating ability. Unfortunately, he doesn't know that a faltering dilemma awaits him.

John Boorman met Lee Marvin in London when the latter was making The Dirty Dozen and immediately they struck up a friendship. Shortly afterwards they made two films together, the first of which was Point Blank, during which Boorman found that he learnt a lot about screen acting and how to direct from the contributions and support from Marvin. Later they worked together on Hell in the Pacific. With his friendship providing an insightful collection of memories of Marvin, Boorman leads this intimate documentary on the life of Lee Marvin.

Ever wondered how to marinade a Yeti...? No? Well neither had a rather bemused Nick Briggs until he caught up with John Leeson on location for the Doctor Who drama Downtime. Ten years earlier, it was all a lot easier for Keith Harrison when he interviewed John for the second Myth Makers. Life was simple then, you just sat down and had a nice chat about life and being the voice of K9. Now, you have to run around the inside of the Doctor’s faithful robot companion, plus learn how to cook (and more importantly how to catch) a Yeti! Well these are the ingredients, its all been cooking in the oven, so take your seats for dinner. Confused...? Not half as much as Nick!

A teenage runaway who never went to school, John Lee Hooker had trouble spelling his name, even into his eighties. But, despite these humble beginnings, John Lee Hooker is today considered one of the most influential musicians of the 20th century.

The world's greatest blues singer, John Lee Hooker reached legendary status with his deep, weathered voice and distinctive chugging rhythms. His influence spread to an entire generation of blues-tinged rockers, including The Rolling Stones and The Doors. Hooker's music is a lesson in deep blues, and here he revisits some of his most familiar material, including "Boom Boom" and his biggest hit, "I'm in the Mood." Filled with frisky, guitar-driven boogies and heartsick ballads, this is the blues at its very best! Songs: It Serves Me Right to Suffer, One Bourbon One Scotch One Beer, I'll Never Get Out of These Blues Alive, Roll Me Like You Roll a Wagon Wheel, Boom Boom, I'm in the Mood, Look at What You Did to My Life, Chicken and Gravy, We're Gonna Do the Shout.

John Lee Hooker is one of the few legendary bluesmen to crack the MTV barrier. He has recorded and performed with a host of contemporary pop stars. John Lee's music hasn't changed but the accompanying musicians have. This 60 minute video presents John Lee performing with many of his friends from 1984 to 1992. Ry Cooder duets on three tracks. Robert Cray burns up the fretboard on Mr. Lucky, John Hammond plays slide behind Father Was a Jockey and Bonnie Raitt cajoles and teases on "I'm In The Mood".

This hour long collection of clips presents John Lee Hooker in a variety of settings, playing both with a band and as a solo artist. The 1964 full-band clips from the BBC are the best, particularly a percolating "Boom Boom." Also good are a couple of songs (again with a full band) from the 1960 Newport Jazz Festival; a few tunes filmed in Seattle in 1970 just have Hooker alone with his guitar (as do a couple of performances from 1960). Particularly after having seen so much concert footage in which blues musicians really ham it up onstage, the viewer is really impressed with how little Hooker needs to move to get his presence across. He's able to hold listeners spellbound while remaining stationary with his guitar, aware that his intensity, growling vocals, and pure musicianship are enough to do the job.

The blues legend John Lee Hooker was the last great King of the Mississippi Delta Blues, and his unmistakeable musical style made him known the world over. He spent more than half a century in the music business, received numerous awards and influenced various generations and world-renowned artists such as Jimi Hendrix, Stevie Ray Vaughan and Pete Townshend with his music. This film shows an interesting American television interview in which he reviews his musical life, speaking, for example, of his album "The Healer". It is interspersed with excerpts from performances and music videos such as "Dimples", "I'm in the Mood" with Bonnie Raitt and "Chill Out" with Carlos Santana.

100 privileged guests form part of this concert with a band who have played to hundreds of thousands at one gig alone--and see the wry introduction of "Poor Man's Moody Blues" by John Lees. Recorded at the end of 2010 the band welcomed the audience to "John's bedroom" and gave virtually a song-by-song rendition of the story of Barclay James Harvest.

Come And See About Me illustrates the career of John Lee Hooker through complete archival performances of his most popular songs, many featuring special guests.

On Saturday, July 6, 1974, Mississippi-Delta bluesman John Lee Hooker was one of the star attractions at an all-day festival attended by 6,000 people. The event in the town of Gardner Massachusetts was called ""Down in the Dumps"" perhaps the first in what was proposed as a series of musical events to be held in the city landfill area. Luckily, very luckily, Hooker's performance was captured on a three camera shoot and broadcast on cable television in local cities and towns.

Musical histories of these two giants in the blues who grew up and developed their styles in Memphis and Mississippi. From the video series, "Masters of the Country Blues."

Marvel's first editor in chief, pop culture icon Stan Lee, and Marvel's current editor in chief, Joe Quesada, talk about the past and future of the company's stable of super-heroes in a lively discussion helmed by filmmaker Kevin Smith.

The 1983 show kicks off with a simmering version of Hooker’s mid-60s single “Serves Me Right To Suffer.” The Coast To Coast Blues Band puts down John Lee’s signature style of hypnotic rhythm behind him and Hooker works his minimalist magic on the assembled fans. The Hook has always defined what cool is all about and that presence is in full force here from the moment he hits the stage. He’s vibrant and captivating and the Montreux crowd clearly can’t get enough.

The 1990 show finds Hooker making a triumphant return to the Montreux stage with an expanded band that includes female vocalist Vala Cupp, an additional guitarist, and a sax player. After a raucous introduction boogie, Hooker delivers another hit-filled set with some new additions, including the title track from his 1989 album The Healer. His bone-shaking rendition of “I’m In The Mood For Love” is the ultimate in amorous blues and is positively percolating. A new slow blues simply called “Mabel” is noteworthy, too, and Hooker gives it his plaintive and soulful all.