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Imprisoned at home, his only distant link to the outside world coming through infrequent visits from his long-standing colleague Siobhan, an ageing Inspector Rebus reflects on his bizarre solitary confinement.
Universal Music Group has gone back to the original master tapes to deliver fully uncompressed, high-resolution versions of many of your favorite albums on Blu-ray Pure Audio Disc. Mastered at 24bit/96kHz, Blu-ray Pure Audio Discs deliver the sound the artists originally heard in the studio when these classic albums were recorded. These discs provide all the recorded musical information. While convenient due to their small file size, today’s heavily compressed music files do not represent the true fidelity of the original album.
Live archive release from the British Blues legend. This release features Mayall in a hard-driving, sharp set of original and classic numbers captured live on tour in 1988. This concert serves to remind us of the genius with which this pioneering artist almost single-handedly revived the Blues, and how he has made them his own over a phenomenal career in music. Featuring the paired lead guitars of Walter Trout and Coco Montoya, the band rocks hard in a tight groove that enables searing solos from the featured guitarists as well as from Mayall himself on guitar and keyboards. The guttural power of Mayall's vocals is ever-present. And the songs - most of them Mayall originals - include the classic Room To Move, with which John Mayall once electrified the world of Rock 'n' Roll.
John Legend brings his old-school soul sound to the stage with this concert recorded at Hollywood's House of Blues in August 2005, delivering live renditions of hits like "Let's Get Lifted," "Number One," and "Ordinary People" with special guest appearances by Kanye West and Snoop Dogg.
Style: Blues
This lesson is filled with the songs, licks, sounds and techniques that make Mississippi John Hurts music so popular. John Sebastian and Happy Traum, whose friendship goes back to the sixties, had the privilege of knowing John Hurt and hearing him play first hand. With their enthusiasm and love of his music, they take apart eleven of his classic songs, bringing fresh insights into the picking styles of this treasured artist. Songs: "Spike Drivers Blues," "Got The Blues (Can"t Be Satisfied)," "Coffee Blues," "Richland Woman Blues," "My Creole Belle," "Monday Morning Blues," "Im Satisfied," "Stack O"Lee," "Candy Man," "Avalon Blues" and "Make Me A Pallet on Your Floor."
Not all that many blues musicians (or any other kind, for that matter) live to 70, so British bandleader John Mayall had good reason to celebrate when he reached that milestone in 2003--and celebrate he did, with the admirable, 137-minute John Mayall and the Bluesbreakers: 70th Birthday Concert to show for it. Mayall, a capable if not exactly stellar singer and multi-instrumentalist, is best known for the many fine players who passed through his band over the years, and Eric Clapton, the most renowned of the lot, is on hand here, as is former Mayall/Rolling Stones guitarist Mick Taylor. Clapton sings several tunes in addition to playing his trademark stinging solos on "Hideaway" and "All Your Love" (two of the tunes most responsible for the "Clapton is God" graffiti seen around London in the '60s), while Taylor is mostly impressive as well.
It was a night when the legends played, when English Blues met Chicago & Memphis Blues, and something magical happened. One hot night in June 1982 at New Jersey's Capitol Theater, John Mayall and the Bluesbreakers, featuring Mick Taylor (Rolling Stones) on lead guitar, John McVie (Fleetwood Mac) on bass, and Colin Allen (of Rod Stewart's band) on drums, paid homage to and were joined by five blues immortals: Albert King, Etta James, Buddy Guy, Junior Wells, and the 83-year-old Sippie Wallace. Each of the blues greats was backed by the Bluesbreakers, resulting in some amazing musical moments. Awesome is the only word to describe the guitar jams among Albert King, Buddy Guy, and Mick Taylor. New audiences can enjoy every moment of greatness from that special night, when the Bluesbreakers were joined by the blues makers. The night the legends came out to play.
This music documentary celebrates the long and influential career of Long John Baldry, a pioneering British musician whose blues revivalism inspired The Beatles, The Rolling Stones and a young Eric Clapton. Featuring footage of early performances and commentaries from a number of musicians for whom he was a great influence.
THE GODFATHER OF BRITISH BLUES: The film biography features contributions from John Mayall himself, his family, fellow musicians, colleagues and friends, in interviews and performances. Rare archival film from all periods of his career marks his achievements and some of the events that formed them. THE TURING POINT: The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, mororways, airports, clubs, concert halls and at festivals.
This brand new documentary takes a closer look at the production history, unique style, and lasting appeal of Fat City, as well as Leonard Gardner's novel that inspired it. Included in it are new interviews with actors Stacy Keach and Candy Clark, casting director Fred Roos, and camera assistant Gary Vidor.
Musical histories of these two giants in the blues who grew up and developed their styles in Memphis and Mississippi. From the video series, "Masters of the Country Blues."
This concert film was recorded in Budapest, at the Pecsa Music Hall. It was one of the live surround shows of the Down And Up album tour. The album and the tour, especially the live 5.1 audio experience meant a milestone in the band’s history. At the show even the lights turned blue. This show is a really unbeatable performance in the jazz / world scene.
Te Blues Explosion perform live at MTV Studios Europe in London on 29 October 1996.
Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.
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