In the late 1970s and early 80s, assassinations in Sicily get the attention of Communist deputy, Pio La Torre, who appeals to General Carlo Alberto Dalla Chiesa to become prefect in Palermo and take on the Mafia. Dalla Chiesa approaches the job with the same focus and methods he used in hunting down the Red Brigade.

Fay lives in a cloistered apartment, which she can’t leave because her only obstacle to the outside world is her brother. She expresses all of her obsessions through painting, but when she orders a new paint palette, matters get complicated. Directed by Anas Ba-Tahaf and produced by Producer-Actor Hisham Fageeh, who also plays the protagonist along with Sofia Asir, Fay’s Palette is a robust film full of vitality, plunging us into an unspoken world that reveals, through a peculiar incident, familiar obsessions and repressed frustrations that we share with Fay.

Kim Hyun-pil, an orphan, gets caught for picking pockets. At the police station, he causes trouble for the police. Detective Koh, takes sympathy on Hyun-pil's situation and takes him home to raise him as his own. Hyun-pil grows into a fine young man under the Koh's care, and despite resentment and scorn of Koh's son Mook, Hyun-pil is nurtured by love from Yeon-ji, Mook's sister. But even as adults, the discord between Mook and himself forces Hyun-pil to leave their home...

The princes and princesses, according to the will of their father, King Fafala IV, try to defeat Captain Palemon, the king of the pirates. Will the bravery of the royal sons or the grace of the royal daughters defeat the famous pirate?