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Directing • The Interrogation, Black on White, Stimulantia
What kind of man was Gustaf Mannerheim, Marshal of Finland? Author Jörn Donner answers this question.
Known for his sharp tongue and controversial statements, Jörn Donner has been an important cultural personality in Sweden and Finland since the fifties. Author, film director, film producer, journalist, critic and politician. Jörn Donner is known for producing Fanny and Alexander and received an Oscar for it. But he has also been known for being bellicose and naturally he fights with the filmmakers Alberto Herskovits and Olavi Linna as they try to film him. He is especially cantankerous when they ask him to do something in front of the camera that he finds inane. He doesn’t want to prostitute himself anymore, he wants to talk! This desire provides a key to this quick-witted man’s incessant restlessness and his quarrels stand as a backdrop that facilitate the dialog Donner wants to have.
Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.
Returning to his beloved hometown after years abroad, Jörn Donner reminisces Helsinki of his youth and investigates the present state of affairs in the city.
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