In the near future, when status has become more important than ever before, a woman with a fake identity must decide how far she's willing to go to move up the social ladder.

Biographical trans documentary film in which Iris Mozalar, a young artist, shares her diversity of being a bisexual transgender woman, the process of creating herself and her reflections against society.

An example of Gusella's impressive switch edits; A disarming rhythm is produced.

Iris comes to meet her alcoholic father…

Women's bodies are presented as ambiguous erotic landscapes, sometimes classically baroque, sometimes cubistic visions in a distorted reflection, depending on the camera angle and shot size. Finally the female flesh frees itself to the accompaniment of electronic smacking noises and, ignoring all gender borderlines, unites with itself in Cronenbergesque growths.

Carson, a genius engineer, creates incredibly powerful technology only to have his thief ex-girlfriend Charlotte steal it and give it to the wrong people. Now, he must enlist her help to get it back. Turns out it's not that simple.

The base sequence of Iris is a constructed cycle of coloured events followed by its copy chromatically inverted though a non compliant lab process. This sequence is then again copied-inverted, and so forth, each new sequence generating in turn the next one. Through this process, each subsequent generation complicates and enriches picture. The result is quite impressive. The sound, produced on a frequency synthesizer (oscillators and filters), punctuates the invert-copy sequences.

Video album by sound collage duo Evidence and a variety of collaborators.

What happens when someone is not accepted by those they love the most? Who do you turn to if your loved ones don't care about who you really are?

Two businessmen pose as film-makers in order to get away with the murder of a young girl.

Short film by Seoungho Cho

Poetic film about Iris in different meanings.

Following the runaway success of Cavalleria rusticana in 1890 at the age of 27, Mascagni did not rest on his laurels. In just a few years, he completed five operas, including Iris, premiered at the Teatro Costanzi in Rome in 1898. Mascagni might well have taken for his own Puccini's famous quip, “Against everything and everyone, make a work from melody”. And in Iris it is melodic invention which shows the composer's genius at its greatest. A melody by Mascagni is usually long, smooth and Italian-sounding; and Iris is full-on melody all the way, particularly in such crowd-pleasers as Jor's Serenade, the “Hymn of the Sun” or the duet in Act II “Oh come al tuo sottile corpo s'aggira”, which includes the famous “Piovra”. Furtheremore, with a little effort listeners can identify what would be the various musical “numbers”. In Iris, Mascagni is almost obsessively attentive to recitative and his exemplary flexibility at times recalls the sublime "conversation style" "invented" by Puccini.

A personal animated story about being raised by two mothers.

Iris is a girl who fell in love with her own reflection and one day disappeared in the bathtub. Inspired by the Narcissus myth. This Greek hero has become the first person in the world to comprehend art and the first person to fall in love with an image rather than the reality. His is hence a story about vanity, as well as about the perception of art. The motivation of this film is to refocus on the female character, Iris, and to retell the old story from her point of view in the social media era.

An immersive sexual love experience, an orgasmic cosmic trip through music and the awakening of sexual beauty.

Iris, a mischievous and imaginative young girl, encounters a toddler who has ventured away from his parents, setting off a road movie filled with pills, cash, and a unicorn.

Laney plans to gift herself a new phone for Christmas but her old model decides it isn't ready to disconnect and wreaks havoc on her holidays.

In the short film “Iris,” a young couple embarks on a night in a remote forest in their van. When the young man briefly departs, their conversation in sign language reveals Iris to be deaf and mute. Once alone, Iris’ evening takes a sinister turn when she receives a series of ominous messages on her phone. These messages contain secretly taken photos of her in various locations, culminating in an image of the van at its current remote spot. It becomes clear that Iris is not alone. Fearing for her safety, she locks herself inside the van, draws the curtains shut, and turns off the lights, plunging herself into darkness and complete isolation.