Jiang Yue and cinematographer Bi Jianfeng set out to capture a Lama Tibetan Opera group. They did not have much knowledge about filming documentaries at the time. Jiang Yue wanted to artificially construct the scene, but this idea was quickly dispelled by the director of the Tibetan Opera group, Yixi Jiacuo, who insisted that there must be audiences in order for the players to perform on camera. By the end of the show, the audience was touched, as was Jiang, who said that he realized that there was a different energy to his film because of the audience's presence.

This documentary on a rebel group in the Philippines delivers a certain amount of propaganda along with inadvertent information on the kinds of issues inherited by President Corazon Aquino's new government in the mid-'80s. The rebel group in question fought dictator Ferdinand Marcos for years and were joined in 1979 by Father Conrado Balweg. One year later, Father Balweg was defrocked for taking up arms against Marcos. After the dictator was deposed and Aquino elected president, she sent a representative (her brother-in-law) to talk to the rebels about their demands. This meeting is recorded in the second half of the documentary. The first half contains the usual stock phrases about Third World problems, and explains little except that this rebel group wants independence from the Philippines for the region they control.

A dramatization of the life of the 19th-Century priest who devoted himself to service in Hawaii's leper colony.