This comic opera, which made its debut in Paris in 1847, tells the story of a Venetian admiral, Loredan (Bruno Comparetti), his bitter rival Malipieri (Paul Medioni), who knows a secret from Loredan's past, and Haydee (Isabelle Philippe), the Cyprus prince's daughter who loves one but would marry the other to save his reputation.

The "Hamlet" in this well-mounted Italian spoof is the Danish prince, not a small town or village. The movie irreverently draws on both the Shakespeare play and the 1877 story by Jules Laforgue. In the story, Hamlet (Carmelo Bene) is a would-be playwright. He suffers from inept Freudian analysis by Polonius (Pippo Tuminelli), and Ophelia and Gertrude (Isabella Russo & Luciana Cante) are women conjured up in his erotic imagination.

The goods supplying all of Paris come by cart, by train. Big Les Halles handlers do the unloading, the market's night life in full swing around them: meat cut, vegetables sorted, coffee downed at the café. Les Halles teems with life until the small hours of the morning.

At long last, the two Hamlet sisters are allowed to go to Paris by themselves, and the discotheque they have heard about beckons. When the driver for their ride home becomes too drunk to drive, they cannot reach their mother by phone, and it is too late to take the last train back to where they live, they are stranded in town. The girls, who are themselves partly of Algerian descent, are accosted by a disreputable looking older Algerian immigrant, who tries to give them cash so that they can take a taxi back to their homes. They are afraid of him and try to get away from him. He apparently accepts this, but trails them without calling attention to himself. It is good that he does, for they soon run into real trouble, and then they find out that despite his frightening appearance, he means them well.

Working as a cook for a Parisian household, a naive country girl finds some kind of love among vegetable traders, while reluctantly helping her boss with his new play and marital life.

An agent who was sent riding on Halley's comet to the earth. He was actually given an order to destroy the earth. Captivated by planet's beauty, however, he is no longer able to destroy the planet. Seventy-six years later, another agent from Halley's comet is sent to the earth to liquidate this traitor, who is now disguised as a girl named Lamina in Vietnam.

The story of Jaycee Lee Dugard, a girl who was kidnapped outside a school bus stop and found alive eighteen years later.

The 1980s were a golden age for the welterweight and middleweight divisions of boxing. The era was headlined by four all-time greats: Sugar Ray Leonard, Marvelous Marvin Hagler, Thomas Hearns, and Roberto Duran. Between 1980 and 1985, each of them fought all the others, except for Hagler and Leonard. When they finally clashed in 1987, it was the climax of that extraordinary series — not literally the last fight among the foursome, but the last one that mattered. Hagler, the middleweight champion making his 13th defense, and Leonard, the former welterweight champ who was coming off a three-year retirement, were fighting for bragging rights over all their rivals. Who could have guessed that they would still be fighting over those bragging rights more than two decades later?

Brown skin showgirls, whites-only audiences, and the brave African American showman who left an extraordinary entertainment legacy despite the insurmountable odds against him and his dreams.

This documentary profiles four legendary boxers - Sugar Ray Leonard, Roberto Duran, Thomas 'The Hit Man' Hearns and 'Marvellous' Marvin Hagler, whose rivalry commenced with the 'Brawl in Montreal'. This was the contest which saw an over-confident Leonard lose his crown to Duran. Hearns had lost out to Hagler in 1985, and it was the latter that Leonard selected to take on in his comeback for the World Middleweight Championship.

'Thou shall not suffer a witch to live', screams hanging judge John Stearne as he leads Petonel Haxley to the gallows. This is England in the year 1640. Terror is unleashed on the un-suspecting students 370 years later. A common link with the past evokes retribution from hell.

Three friends make a trip to go pick up a used computer from an online want ad, little do they know that they are about to meet the Worley family and experience a day of terror.

The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, in Rennaissance dress, stand off to the right of the screen, and in the background, next to a painted backdrop.