This animated short film is composed entirely of etched woodblocks. It speculates on the legacy of the Cultural Revolution, alluding to the historical use of woodblock printing in disseminating ideology. Woodblock printing, which emerged in 7th century China, experienced a revival during the Cultural Revolution in the 1960s and 1970s as a means to quickly communicate information to a mass audience. One of the key proponents in China's modern woodcut movement was Lu Xun, whose philosophy is embedded throughout the film. For instance, Lu Xun's motif of cannibalism to describe the decay of Chinese consciousness is referenced when the protagonist pulls an insect from within his own body and eats it alive.

Pao Lung-Sing, a descendant of the famous Judge Pao Ching Tient, is a 9th degree corrupt judge who changes his tune when he tries to champion a woman Chi Siu-Lin, who was framed for killing her husband. As a result, Pao is forced to flee and through a series of events becomes a 1st degree judge and comes back to wreak havoc and justice on the guilty.

Chinese puppet fable.

Young-goon, mentally deranged and frequently electro-charging herself with a transistor radio, has been admitted into a mental institution. Firmly believing herself to be a cyborg, she refuses to consume like a human being. Il-soon is another patient, who catches the eye of Young-goon and soon becomes a close friend. Il-soon is now confronted with the biggest task: to cure Young-goon's mental problem and have her eat real food.