The film consists almost entirely of an interview with the elderly He Fengming, recounting her experiences in post-1949 China.

Zhuang Li goes into business, is tempted away to a job created for her by a boyfriend and returns to her own business.

A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.

This video work is a fictional online Feng Shui guideline. A Feng Shui master on-screen in connecting to a person's brain to observe the image fragments in it and, based on that, try to give advice. It turns out to become a dispute between the two. Composed with images from real places like modern residences, high-speed train stations, national enterprises in mid of change, and mining factories, the video gives a dizzying visual effect. The artist narrates the words mixed with humorous, personal, and authoritarian languages. The work concerns the complex relationship between medium, feelings and narratives, and how a personal destiny can be narrated in relation to specific spatial-physicality.

Yang Pingdao invents something poised delicately between fiction and documentary to capture crystallized moments in his family history, to recreate in cinematic form its emotional weight and variety, woven around the life and death of his grandmother, and the birth of his child.