Eddy Haymour is a barber, an eccentric entrepreneur, a psychiatric patient, a kidnapper, and a hostage taker. A controversial character, he has been called both madman and visionary. Our 90 minute documentary, Eddy's Kingdom, chronicles the saga of Haymour's obsession with creating an island theme park in Kelowna BC, which culminated in a hostage taking in Lebanon. His present day quest is to confront the current BC government and get the island back in his possession. At his side is his daughter Fadwa, the only family member who still talks to him.

From Paris to Montreal, via Kingshasa, Eddy King has had an extraordinary experience. With his disconcerting stories and his ease in talking about disturbing subjects, this young man bewitches, surprises and disconcerts! His universe is nourished by cultural references and a good dose of derision! His favorite subjects are taboos. Its mission leaves no doubt: to proclaim loud and clear what people think softly. Incisive, with punch, punch and more punch, Eddy King has adopted a winning formula: simple and authentic. Show recorded on July 20, 2012 at the 5th auditorium of Place des Arts, Montreal.

A popular icon in the 1980s and 1990s and a genius comedian, Eddie Murphy has never stopped challenging America on its identity issues. Coming back after a 25-year hiatus, the first great Black hero of the cinema appears today as a precursor who revolutionized the image of African Americans and opened many doors for his community.

Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.

Race-car drivers pursue Mabel Normand, whose father has a clear favorite.