"On several occasions we were impressed by the apparent vitality of some spools with arbitrary discards, compared to the laboriously assembled sequences of what is waste. Based on this idea, the cinema is a reel of clips from the Red Stone Dancer scene in Gaudier-Brezska's main film. It was done in an iconoclastic way very quickly, celebrating that we were abandoning the limitations of the documentary form. It was the first of many films in which we recycled previously filmed material and used it for new purposes."

Between the 1980s and 1990s, architect Mario Botta and painter Enzo Cucchi turned a common utopia into reality, engaging their respective imaginations to construct and decorate the chapel on Monte Tamaro, Ticino, 1,600 meters above sea level. Brimming with evocative elements, Villi Hermann’s documentary investigates the sacredness of a shared creative process in profound dialogue with nature.