t's the award-winning "Austin City Limits" television show -- remixed, remastered and reedited from the full original concerts that were adapted for the half-hour TV show. Steve Earle is the featured performer on this video that contains never-before-seen concert footage. Tracks include "Sweet Little '66," "Good-Bye Is All We Got Left," "Guitar Town," "Hillbilly Highway," "Good 'Ol Boy (Getting Tough)," "My Old Friend the Blues" and more.

He rose to the top of wrestling’s success mountain as fast as the speed of light! But in the early days of his career, there was a different look to go with the same brutal style! Steve Austin as you have never seen him before! The long blond hair and colorful ring attire would camouflage the man we know today as one of the sport’s toughest!

Before he was cue-ball "Stone Cold" (now one of the most recognizable faces in pro wrestling), he was a formidable young wrestler with a flowing mane of blond hair. Witness Austin's debut match against Medicine Man and other bouts early in his career with this vintage collection showcasing the ruthlessly brutal moves that would catapult him into wrestling superstardom.

When Steve Earle stepped onto the Austin City Limits stage on November 12, 2000, it had been 14 years since his first appearance in 1986. In between it must've seemed like he had lived several lifetimes. In fact, in the years since, he released five albums, including his latest at the time of this recording, Transcendental Blues. Of the record, Rolling Stone wrote, "These songs weave threads that bind Ireland and the American South, rockabilly and the Beatles, folk music and muscular rock and roll."

Joined by his long-running five-piece band The Dukes, Earle hit the stage kicking off his Guy Clark tribute with the classic “Dublin Blues,” receiving exuberant cheers at the opening line “Wish I was in Austin.” Earle immediately went into “Texas 1947,” featuring the expert pedal steel work of Ricky Ray Jackson. After sharing a short story about how he met Guy Clark while hitchhiking around Texas, the band performed the ode to the Hill Country honky-tonkin’ queen “Rita Ballou,” featuring Eleanor Whitmore on violin. Following a tale about Clark’s loyalty to Texas BBQ over Tennessee style BBQ, Joe Ely joined Earle on stage to perform “Desperadoes Waiting For a Train” – two Texas music legends trading verses on one of the state’s most influential songs.

Alla Horska was a Ukrainian artist of the 1960s, monumentalist painter, one of the first representatives of the underground art movement, dissident, and human rights activist of the Sixtiers movement in Ukraine. She was murdered in 1970 while under surveillance by the KGB.