Anna Lucasta has been walking the streets in San Diego since being thrown out of home, at 19, by her alcoholic father, Joe. She's estranged from her family, but when her father and brother-in-law see greedy potential in an arranged marriage to affluent Rudolph, Anna is called back home. Old wounds have hardly healed, though. Just as Anna starts to feel for Rudolph, Danny, an old friend, returns to make life difficult.

A prostitute is thrown out of her house by her alcoholic father, and her scheming brother-in-law tries to devise a plan to marry her off and make some money in the process.

Two aging hit-men are sent to clean up a bank robbery gone wrong some twenty years ago. Having always worked alone, they have been chosen by the infamous Mr. Mac to clean up the mess and get rid of any loose ends.

The two titular characters are on their third date and one awkward encounter follows the next, leading to their eventual miscommunication in the bedroom.

Jack and Lucas travel to the Midwest to attend their high school friend's wedding. Confined in a hotel room together, they're consumed by their own insecurities, as Jack tries to write the perfect wedding speech, while Lucas grapples with his romantic devastation. As the wedding approaches, the question arises: can they get to a place where they understand each other?

A young orphan boy Jim Button, his best friend Luke and a magical steam engine called Emma travel across the world in search of the truth about where Jim came from. Battling pirates and dragons, outsmarting make-believe giants, they must travel through the Forest of a Thousand Wonders, beyond the End of the World to find the hidden Dragon City.

Casper Caveman is hungry, so he tries to hunt for a duck, Daffy Duck.

Dissecting George Lucas' early films, THX 1138 (1971), American Graffiti (1973), and Star Wars (1977), based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of reviewing a complicated cinematic work through the lens of an individual auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have the right to restrict access to their original works by substituting theatrical releases with director endorsed re-edits?

They’re the ultimate animated odd couple. Together they starred in numerous timeless cartoon shorts highlighting the combination of their hilariously opposite personalities. Over the course of their remarkable careers, Daffy’s impulsive goofball tendencies would become ever more pronounced, while the endearing, stuttering Porky became more of a thinker than a mallet-wielding doer.