Cardinal Giovanni (Yusuf Wehbe) falls into a difficult moral position, when (Estonzzi) confesses to him that he has committed a murder, and after the disappearance of (Estonzzi), the accused, Juliano, the brother of the real accused, is accused of using the Cardinal in a major confusion between his religious duty The one who is obliged not to divulge what he admitted (Estonzazi), and among his human conscience, who dictates that he testify in order to absolve the accused of being unjustly acquitted.

In july 1987 palestinian cartoonist Naji Al Ali was shot by unknown assassin. this documentary traces his life and work from his birth in Galilee to his death in London it examines the forces that shaped Naj Al Alii as an artist and as a human being and shows how his experiences mirror of other exiled palestinians.

Directed by Muhammad Bayyumi.

Eid al-Adha Special Show ft. Haris Rauf, Imam-ul-Haq, Salman Ali Agha and Saud Shakeel

“ใต้ปีกแห่งศรัทธา” เรื่องราวจริงสุดพิเศษเกี่ยวกับการเดินทางสะเทือนใจของดั๊ก ไวต์ที่นำเครื่องบินลงจอดเพื่อช่วยครอบครัวของเขาจากอันตรายที่แทบไม่มีโอกาสรอดหลังจากที่นักบินเสียชีวิตอย่างไม่คาดฝัน

Ali, an Algerian crane operator, takes with philosophy the bullying suffered by immigrants like him. His existence changes radically the day he wins the lottery.

A mix-up leads Ra'fat Rostum to a ministerial seat that he was never meant to have. As he successfully holds onto his office for a long time, he starts having violent nightmares and asks his office manager, Ateya, to accompany him to the North Coast in an attempt to stop the nightmares.

'Ali au pays des merveilles' by Abouda and Bonnamy calls out the exploitation and racism it unflinchingly ascribes to the French state, the media, capitalism and colonisation in a system of domination that grinds down those subjected to it.

The film that established Abdel Sayed as a pioneer of New Realism in Egyptian cinema tells the story of two friends who rose from the bottom to the top of society through suspicious dealmaking, in a story full of love, anger, and betrayal.

Amany Al-Ali stands out as one of Syria's few female cartoonists, residing in her father's home in Idlib, the last city unconquered by Assad's forces. Like her remaining neighbours she's submitted to relentless Russian airstrikes and caught between advancing troops and extremist groups. Despite acclaim for her art, she faces threats, condemnation, and degradation, causing her to contemplate leaving. Ironically, her artwork has graced galleries in France and Italy but never received exposure within Syria's borders. The film captures her endeavor to organize her inaugural exhibition in Idlib. This experience compels her to confront the harsh realities of a city defined by bombings and male interference. While organizing drawing lessons for women and girls, comforting her young niece, and sharing her story with the documentary crew, Amany's outlook on the future gradually erodes.