A scholar falls for a beautiful maiden whom he invites to stay with him, but she is not what she seems to be...

A teenage boy, Diego, connects with his teenage ex girlfriend, Karina, and they rekindle their sex life, but their past has another face that eludes them. Both will be forced to face it.

After a computer operator has been through a painful relationship, he is determined to look the other way every time any interesting woman enters his life. He has his other loves - photography and model planes - to challenge him anyway. However, one day a car breaks down in front of his house, and a young mother with her 10-year-old daughter come in looking for assistance. The daughter is endearing and would make a terrific subject for a photo contest. As both the young mother and the computer operator studiously ignore the flicker of romantic sparks, it is only a matter of time before the flame either grows or is extinguished.

"I just want to be seen as who I am today!" John shares his thoughts on identity, body and gender and gives a very personal insight into his life–and an intimate proximity to his body.

A doctor mistaken for a thief. A cleaning lady treated as a slave. A mother who lost her son murdered by the police. A Trans employee who is never promoted. What do these people have in common? Their skin color. A human and poetic documentary sewn together with various narrative threads – characters, music, slams and black intellectual thinking – that unveil the racism rooted in Brazilian society.

얼굴 없는 요괴는 자신의 얼굴을 만들기 위해 화피사를 협박하지만 요괴한테 굴복할 수 없던 화피사는 자신의 제자 방제에게 모든 능력을 전수한 후 요괴와 함께 죽는다. 30년 후, 방제는 자신 때문에 희생된 마을 사람들을 극락왕생으로 보내기 위해 몰래 화피술을 해 주고, 그 대가로 사람을 얼굴 가죽을 받으며 산다. 그러던 어느 날, 손씨 일가가 몰살당하자 방제는 얼굴 없는 요괴가 돌아온 것이 아닌지 의심하는데...

At 56 years of age Mita Pantić (Nikola Simić) is still only a junior clerk in his company. Another typical workday for him is starting at 6 a.m. as frustration awaits at every turn from the moment he gets up. Trying to get ready to go to work, he can barely get a turn to use the bathroom in the crowded apartment. Other members of the household are not without their frustrations either, meaning that nagging and shouting are a staple of their home life at any time of day.

After the death of princess Hanyang of the southern Tang Dynasty, she turned into a skeleton succubiness, who borrowed the first beautiful woman in the south of the Yangtze river, Ximen Yan skin, and transformed into a young woman with a charming an. Scholar Wang Ziyu encounters the skeleton succubus that incarnate Ximen Yan accidentally, see admire, knot Qin Jin in all. Unexpectedly, the bride is hiding under the skin of demons. The wife Chen Ying that is driven out of a house prince jade, see Wang Jia encounters evil spirit misfortune, invite exorcist path grows urn and its apprentice small steamed stuffed bun. Kill the skeleton banshee on the earth, the exorcist Daoren who is bent on behead, and stage a battle of love and hatred between people and demons.

The film is based on the Chinese classical novel Liaozhai Zhiyi.

Teenager Miika, who has closed himself in guilt and self-loathing after his parents' divorce, falls in love with domestically abused Jenna. He feels the desire and need to protect her from a situation that is even more chaotic than his own

Documentary about blues musicians.

A man and a woman get into a car accident with a witch, who takes out her anger on them by switching their bodies...

This rare Italian action adventure tells the story of a broke man called Rudy, who goes into the African jungle to join his half-brother Franz. Franz is leader of a mercenary group that fights against native rebels, but Rudy only wants some money from his next of kin (on one occasion, he says: "You know I can't stand violence"). But Franz, a racist who sees Africans merely as animals, just wants him to leave again immediately. Then, Franz gets abducted and imprisoned by the rebels. Rudy joins forces with the other mercenaries, who are as fascist as Franz and like to kill Africans and rape their wives. He does so to make a deal with Franz as soon as they have freed him, but the mercenaries get attacked on more than one occasion by the natives.

Marucha (Sarita Montiel) has had a shattered face since childhood, but she has a beautiful figure and covers half of her face with her hair. She is a singer and performs in neighborhood theaters. Marucha and Ramon are professionals in crime.

Shoko, a married woman, works in a hospital as a nurse. One day, one of the patients happens to meet an old boyfriend, Tagawa. Shoko learned from her nurse that Tagawa is terminal cancer and can only live for 3 months. However, I couldn't tell Tagawa, so I don't know. The hospital says to give up treatment and just go home. She makes a decision because she wants to do something for Tagawa ...

Catalonia, Spain. In a village on the Costa Brava, José, an Andalusian emigrant, works as a bricklayer while waiting for his wife Juana and his two children to join him.

After Soic has been imprisoned Pantic hopes that the new boss will be better than him only to find out that the new boss is an exact copy of Soic.

A woman Diane, has an affair while her husband is away with a younger woman, Jane. But as time passes the identities of the women come into question and revelations as to the nature of their relationships comes to the surface. All while strange occurrences happen around them, seemingly linked to mirrors around the house and a strange light that appears during the night.

Skinless Night (which borrows its title from a best-selling brand of condoms) centers on the 33-year-old Kayama Mutsuro, who supports his wife, child and a small team of employees by making porn videos. Profit margins are very low, the financier has his own troublesome ideas about the kind of tape he wants produced, the company office isn't an ideal environment for child-minding, and the job constantly throws up new challenges - like shopping for bondage gear or devising the special visual effects for a 'golden shower' scene. On top of everything else, Kayama is heading for a mid-life crisis. The rediscovery of his unfinished student film crystallizes his general sense of dissatisfaction, and leads him to rethink his life and work, to the chagrin of many of his friends, colleagues, and family members. Mochizuki's quasi-autobiographical début feature observes both the workings of the porn sub-culture and the spiritual problems of its central character.

Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha. They have in common their youth and charm - as well as a terrible tendency to self-destruct.