A woman and her daughter vacationing in Paris get caught up in intrigue after being witnesses to a murder.

The present day: just as the Fourth Doctor and Leela arrive in Fetchborough, England, Professor Fendelman prepares to experiment on a fossilized skull which science says should not exist. The skull is actually an artefact of the Fendahl, a god-like being who feeds on the life force of others. It has begun to awaken and kill. Worse yet, others seek to exploit the Fendahl's dreadful power.

This film is a letter, a collage, a diary, a hug, an expression of the need to find in the cinema, and in images, something that helps us to continue living. It is also a contrast between the personal and the foreign, a tension that becomes an enunciation of movie piracy as a decolonial practice.

This tribute to Hollywood legend Vincent Price sheds light on his career in film, television, radio and theater, and includes Price's fascinating hour-long interview with film historian David Del Valle. Taking place near the end of Price's career in 1987, the interview illuminates many of the horror icon's experiences. Also included are two complete television shows from the 1950s and '60s, along with "Three Skeleton Key," a 1958 radio drama.

A collection of music videos spanning the first eight years of The Cure's career. 1. Killing An Arab 2. 10:15 Saturday Nigth 3. Boy's Don't Cry 4. Jumping Someone Else's Train 5. A Forest 6. Play For Today 7. Primary 8. Other Voices 9. Charlotte Sometimes 10. The Hanging Garden 11. Lets Go To Bed 12. The Walk 13. The Lovecats 14. The Caterpillar 15. In Between Days 16. Close To Me 17. A Night Like This.

In a burlesque mode, the director tries to deflate the world (realized here by a globe), to level it, to put its three dimensions in two. To do this, he fights against the material and the ball, embraces it, lies down on it, twists and tramples it. Illusory victory or vain efforts?

DeLillo uses the documentary form to explore the relationships between gunmen and the novelist, words and images, the power of news and the obsession with apocalypse.

A student photographer comes into possession of a camera with special capabilities, some of which are beyond his wildest dreams, and nightmares.

"Based on the exhibition "Photography and the city", designed by the Eames Office for the Smithsonian Institute". A primer on the modern problems of and future solutions to growing cities.

A foggy portrait on snow clad mountains.

An exploration of the music of Wolfgang Voigt's GAS project, a kind of ambient techno inherently connected to the visual of the forest.

A retired diplomat has begun writing a historical novel about the legendary Captain Meϊtanos, who lived in the 17th century. Initially, he was a klepht (bandit), then an armatolos (member of irregular forces), then a klepht again, until finally winding up in the Ottoman hangman’s noose. Captain Meϊtanos was described by monks who lived for many years after his death, recounting his activities and passing on his story. Memories are revived; snatches of a story and mystery emerge, such as that of a holy icon painted in 1715 by the iconographer Vaϊos – an icon which adds additional color and detail to this story.

1981: at the moment the left won power, French television commissioned Godard to make a film on the theme of change. Like Lettre à Freddy Buache, this film is born of the impossibility of carrying out the commission. For the space where change appears is not the image but the gap between images.

Documentary about the presence of Latin American culture and actors in American movies.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

In the Image explores the daily lives of Palestinian women living in the occupied West Bank. The film portrays their stories in a novel and eye-opening manner; through video footage captured by the women themselves.

2021 visual essay by filmmaker Chris O'Neill following the origins of video nasty filmmaking.

John Stafford is unjustly arrested on the eve of his marriage for the murder of an old gentleman whose body was found in his guardian's library. The young man is taken to the penitentiary, but eludes his guards and escapes. His sweetheart engages a noted detective who finds a small Hindu image in the hand of the dead man.

This documentary paints a fascinating portrait of Peter Whitehead, whose largely obscure yet important body of cinematic work from the 1960s and '70s includes The Fall (1969), a film that tracks the era's social and political unrest. After chronicling the frenetic lives of counterculture icons such as the Rolling Stones and Allen Ginsberg, Whitehead set his camera aside, quietly living out his life as a potter, writer and falconer.

9/11: It was a PR stunt which killed thousands and launched a propaganda war that has, so far, lasted a decade. Since then, the US and al-Qaeda have competed furiously to win “hearts and minds” with elaborate media strategies. Spin, threats, lies, censorship, the killing of journalists; how far has each side been prepared to go to win the propaganda war?