The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel. Centres particularly on the conflict and growing friendship between Terry Randall, a rich girl confident in her talent and ability to make it to the top on the stage, and Jean Maitland, a world weary and cynical trouper who has taken the hard knocks of the ruthless and over-populated world of the Broadway apprentice.

En musikal som utspelar sig under andra världskriget då många amerikanska artister ställde upp för att underhålla soldaterna i fält. På scenen gästspelar bland andra Harpo Marx, Katherine Hepburn, Count Basie och Benny Goodman.

That wascawwy wabbit is chased into a theatre by Elmer Fudd, and ends up having to perform to save himself, as well as convince Elmer to act himself. The vaudeville industry was never this wacky!

Magoo has been enlisted as the male lead in Mrs. Sticknee's vanity production opera. On his way to the stage, he winds up in the rafters and causes havoc, cutting the various lines, standing in front of a spotlight, falling down stairs and trying to enter through a trap door the diva is standing on, and eventually crashing into a control board, triggering a snowstorm.

During the 1920s in Shanghai, an all female Chinese Opera troupe is struggling. The troupe boss calls on Tsui to join them in the hope that her fighting sequences will pull the troupe out from imminent close-down. This enrages the actresses who are already quarreling among themselves. However, they come together when a Triad Boss Chang, goes after one of them. The actors and a young man named Lu and his friends become embroiled with the mobster.

From his early days playing drums in his band, The Grains of Sand, to becoming one of the top grossing concert promoters in the United States, Rich Engler is the embodiment of the rags to "riches" American Dream come true.

Our hero visits the opera, is mistaken for the manager and is treated like royalty until the deception is uncovered.

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.