Strawberry Shortcake berry bake shop adventures.

An impressionistic portrayal of short film making by a short film maker. The views expressed in the film are sometimes bitter,often humorous, at times satirical but seldom complimentary.

David Parkinson reconstructs the documentary he directed in 2018 about Muckie, the Muckross Lake monster, in an attempt to definitively figure out what it was, while also exploring ideas around it and other cryptids.

Begins with blue negative face of child, ends with single centered eye.

Begins with green tiled bathroom ends with golden mirrored image of cameraman.

Christian Fuhlendorff follow up on critical acclaim with the new one man show: "To make a short story long" "I have a dog and a house, a girlfriend and a daughter. I live even in the world's happiest country, Denmark! I have all the pieces to be for. I just do not know if I'm happy. For a house also means also debt and concerns that a dog does chores and to take the piss on the floor, a girlfriend means expectations and compromises, a daughter means responsibilities - and sometimes to take the piss on the floor, AND we must not forget that Denmark thus also one of the countries with the highest suicide rate. Let me put it another way: Do I be happy? " The question put Christian Fuhlendorff himself in his third one-man show "To make a short story long," which premiered at Bremen Theatre in Copenhagen 19 September 2014. In its previous shows, he took the audience on a journey into in his quirky and comedic universe. This time is no exception.

Tadeusz Mazowiecki, the first prime minister of free Poland, takes us through successive stages of the political transformation at the turn of the 1980s and 1990s. He ponders, listens and negotiates sharply. He must be aware he’s making a great revolution. What values and ideals inspired this transformation? What can we learn from him today? “Make Revolutions by Phone: A Short Movie about Tadeusz Mazowiecki ” is a documentary essay based entirely on archival materials from various periods of Tadeusz Mazowiecki’s life, edited in a creative way suggesting that Mazowiecki is conducting the conversation with himself. Dynamic animations and young alternative music give a counterpoint to the story.

After years of being away from home, Fan is suddenly summoned back by her relatives to assist with her grandma's funeral. As she reunites with her aunt Yun, amidst the emotional turmoil of the funeral, they find themselves on an unexpected journey of self-discovery and reconciliation within their complex family dynamics.

A transgender woman reunites with her estranged brother after the death of their abusive mother, in order to divide the estate.