Follows Hedda Gabler as she navigates a house she does not want, a marriage she feels trapped in and an ex-lover who has reappeared in her life.

Returning from her honeymoon with her husband, scholar Jorgen, the cold and manipulative Hedda Gabler is unmoved by the sacrifices he's made to provide her with an elegant home. But when she learns that Jorgen's rival for a university position, Ejlert, has made a surprising comeback with a recent publication, she's quick to push him back into his former alcoholism, steal the sequel to his book and even encourage the writer to kill himself.

Hedda is beautiful, aristocratic, and intelligent, loaded with social grace and a steely, clear, dispassionate charisma. Life really isn’t good enough for Hedda. Like any of us, in life there are moments when we feel that this frustrating business of existence — as lived on our darkest days — really isn’t good enough for us either... Set in a Lynchian world of dream imagery, drama, bespoke sound design, music and chanteuse style singing; the iconic avant-garde performer David Hoyle stars as Hedda in this one-person, cinematic/theatrical reimagining of Henrik Ibsen’s Hedda Gabler, created and directed by Jen Heyes, with original composition by Tom Parkinson. HEDDA (After Ibsen) moves past the obvious to create a darkly surreal show for everyone that doesn’t reduce it to our binary traditions.

Newlyweds Hedda and Jorgen Tesman are just returning from their honeymoon to a villa by the edge of the forest with a breathtaking view on the city. Restoration work on their home has not yet been completed, and Jorgen will soon be running out of money. That's if he doesn't succeed Dr. Franck Brack as head physician of the city hospital. Jorgen and Hedda prepare dinner for Brack, when two uninvited guests emerge. As the evening progesses the group becomes entangled in a weave of guilt, love and betrayal and when morning comes disaster has struck.

A portrait of the painter Hedda Gjerpen.

Life of a femme fatale; a picture of a strong-willed woman is created, capable of becoming the queen of fate, killed by the urban environment and the fear of living her own life...

Hedda Gabler has just come back from her honeymoon, married to boring but reliable academic George Tesman. Refusing to tie herself down in life and name, Hedda is banking on George being appointed a professorship to secure a better life for the young couple, However, the arrival of cleaned up ex-lover Eilert threatens to destroy everything.

Adaptation of the play by Henrik Ibsen.

Hedda and Jørgen Tesman come back from their honeymoon to their brand new house in the western part of the city. It is apparent from the start that the couple is a mismatch, and it becomes clear that Hedda will soon be bored to tears by her petit-bourgeois existence. Until she hears a man she loved a few years back is in town, the writer Eilert Løvborg.

“I’ve no talent for life.” Just married. Bored already. Hedda longs to be free... Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.

Silent adaptation of the famous play by Henrik Ibsen. This film is believed to be lost.

A look at the past, present and future of Hollywood as seen through the eyes of the movie columnist.

Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.

Stuck in a loveless marriage to intellectual George Tesman, the ambitious Hedda Gabler hungers for a life her husband can't provide. Then a former flame, the successful Eilert, enters the picture, violence and blackmail aren't far behind.

Hedda Hopper guides us through some of Hollywood's sights; the home of William S. Hart and a Kay Kyser recording-session being among them.

Fourth film in the Hedda Hopper series.