In August of 1914, amidst the public ecstasy surrounding the impending war, Hans Gastl, the young son of a Munich bürger, makes a decision: he will not take part in this war. This resolution signifies a turning point in his life; a farewell to his class and his family.

Hella lives in a boarding house and has various romantic adventures before settling down with vacuum cleaner salesman Winkler.

The burial of an old woman leads to several complications among family and friends.

Experimental short film.

At Munich’s central station, after years spent working in factories in several German cities, a worker from Serbia boards a train and heads south, to Belgrade. The protagonist recollects his impressions of the cities and the state he worked in, speaks of new insights and habits he acquired and thus says goodbye to Germany: Auf Wiedersehen, Deutschland!

At Munich’s central station, after years spent working in factories in several German cities, a worker from Serbia boards a train and heads south, to Belgrade. The protagonist recollects his impressions of the cities and the state he worked in, speaks of new insights and habits he acquired and thus says goodbye to Germany: Auf Wiedersehen, Deutschland!

Short documentary directed by Ute Hirschberg

A young German woman searches for happiness, liberation, and independence in the illusive wake of a transformative national recovery.

A German high school graduate travels to Australia against her mother’s wishes to meet her uncle there. On the way, she joins two young Australians who have been caught by the drug investigation network, and thus calls her mother into action.

A group of criminals hijacks a plane, intending to fly it to Cuba.

A classical who-dunnit-detective-story in an unusual setting: In the retirement-home for aging stage-artists "Ewige Rampe", an overly engaged doctor discovers what seems to be a murder by poison. The victim is the only inhabitant of the home who was not on stage, but a reporter of a gossip magazine. The two investigating police inspectors soon find out that the deceased lady blackmailed most of the inhabitants with little secrets she found out in her time as a reporter - nasty, but harmless things like a little shoplifting, alcoholism, a corrected date of birth, a success one never had... but are these little old secrets reason enough to kill someone? Or is there someone with a more important dark spot in the past? And

After the death of his wife, respected writer Henrik Agdestein won't let anyone get close to him, neither the kind-hearted teacher Sonja nor the feisty policewoman Laura. And certainly not top politician Leif, whose homosexuality he disapproves of.

Ironies abound in this extremely sad melodrama about Elif, a Turkish immigrant in Germany who has been sent to prison for murdering her abusive husband. At the time of her imprisonment, she has never ventured outside the Turkish community, and even there has had no friends because of the demands her husband placed on her. She speaks no German. Now, in a place which most people find to be hell on earth, she gains a never-before known taste of freedom among these strangers, who don't even speak her own language. Unfortunately, as a "guest worker," she is horrified to discover that she is soon to be transferred to the horrific prisons of Turkey and will stand trial there for her crime, which will be much less understandingly dealt with in her home country than it would have been in Germany. The false paradise she must say goodbye to is her German prison.

Spielmann was born in Wels in 1961, grew up in Vienna, Austria. Starts writing and directing while still in school. His first film is aired on television in 1978. In 1980 he starts studying screenwriting and directing at the Vienna Film Academy. Two films completed during his studies (Abschied von Hölderlin & Vergiss Sneider! receive international prizes and are screened at the Stadtkino, an arthouse cinema in Vienna. Spielmann graduates in 1987.