A sudden solar storm renders any electronic equipment around the planet useless. On the same day, a baby girl is found on the mountain near a small village lost in the mountains. Her name is Nina.

After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.

The story takes place on a world 100 years in the future, a few years before Lisa and Lorna joined eX-D organization. The world where people drives computer-controlled electrically powered "AI cars" which automatically take you where you want to go. However, one AI car mysteriously start to run amok. Now Nina and Rei, as the main driver for ex-D organization have to solve the mystery behind the AI car with evil plot and trap awaiting for them...

This silent-screen classic, like many others produced near the end of the silent era, was both a theatrical extravaganza boasting an original orchestral score and an item which languished in obscurity for many years. When Carlo Piccardi took what was left of the score by Maurice Jaubert and re-created it, the existing footage was restored and paired with a new orchestral performance which was shown in Paris in 1988. The film's story concerns the travails of a woman who has been living quite comfortably as the mistress of a colonel in the Tsar's army in Russia. However, she eventually encounters a penniless young lieutenant and falls madly in love with him, as he does with her. Despite her best intentions of remaining with the colonel, and his intention to avoid trouble with his fellow soldiers, they cannot forswear this relationship, and tragedy is the inevitable result. The title refers to a moving incident in the story, and translates as "the wonderful lie of Nina Petrovna."

Nina Petrovna is a Russian beauty claimed by two Austrian officers.

In search of her own identity, a young champion in fencing is torn between two men, which leads her to personal conflict.

A woman accused of murder escapes an asylum and her psychiatrist tries to find her.

Nina loses her mother and then takes some time to lose herself. In the forest she enters, unusual encounters lead her into an eerie and alluring abyss that becomes increasingly difficult to leave.

The taboo relationship between young Nadav and his Aunt Nina transcends definition on its way to odd highs and lows.

When immense pressure threatens a ballerina in a new lead role, she and another dancer escape into a friendship that isolates them from the real world.

The breath of the machine fills the air, where the singing can flow. Nina stands in front of the wiggling robot. The soft bodies measure up themselves, sometimes harmonize. The breaths dilate the organs, which swell and fold; transmute the synthetic movement into vital impetus and the vulva into mouth, which inflates until it spreads.

A businessman who lives from blackmailing begins to be blackmailed by his own wife who hates him.

After Anschluss — the Nazi invasion and incorporation of Austria in 1938 — a group of Jewish children travel from Vienna to Oslo for summer camp. But when the time comes for them to return home, the political conditions on the continent have worsened and they can no longer return to their families. In Norway, an orphanage is established to look after these effectively homeless children, one of whom is director Nina Grünfeld’s father.

PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.

Nina's Journey is a feature film, but with an authentic narrator. We follow Nina and her family during six dramatic years, half of them spent in the Warsaw ghetto. The film tells the story of a young girl coming of age under extreme circumstances: Nina falls in love, goes to parties, and graduates high school - all in the Warsaw ghetto. One could say that, in these horrid times, she is almost living the life of a normal teenager. If it wasn't for the fact that all those around her are vanishing, one by one. Nina's Journey is shot in Warsaw, with Polish actors. But it is narrated by the elderly Nina Einhorn herself.

Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.

Ahmed and Dario want to earn extra money obtained from a robbery in Bosnia. Unknowning to them, bright Nina is involved in their plans.

The Legend, on Nina’s life and music, was made in France by Frank Lords and it is told in large part by Nina Simone herself. It is an honest portrayal based on her autobiography “I Put A Spell On You,” that shows Nina at her mightiest and at her most vulnerable.

Much awarded short youth documentary on Guido, an 11-year-old boy who’d much rather be a girl and indeed feels like a girl.

Nina and Laura are a couple whose four year-old son Mateo has just died. Laura moves back to Chile seeking the comfort of her family while Nina, intending to reunite with her shortly, is left to tie up loose ends at home: storing Mateo's things and renting out their house. 'What a big space such a little body can fill, what a massive abyss there is now between your mom and me'.