Sun, dessert, beach, palms and oriental souks – that comes to ones mind while thinking about Morocco. Austrian freeski ladies Melissa Presslaber and Sandra Lahnsteiner in winter 2012 travelled to Morocco to explore the freeski possibilities in Northern Africa. When boarding the plane to Marrakech the girls didn't exactly know what to expect on their exotic skiing trip. Leaving hectic and hot Marrakech behind, they find themselves hiking in the beautiful nature of the Toubkal valley. „Shukran Morocco“ is a declaration of love to a country that offered even more than an impressive mountain range and skiing in the Atlas mountains, including hiking the highest peak of northern Africa and heliskiing in the Toubkal region. An overwhelming hospitality and a deep insight of the fascinating culture of Morocco will stay in the girls mind. Shukran. ("Thanks")

The movie presents a mysterious and enigmatic world, a place where more than 40,000 — no one knows precisely how many — descendants of Arab conquerors live, the last great nomads of the world. These nomads are deemed the “Blue Men” due to their bluish complexion — not a racial characteristic, but the consequence of color from their clothing staining their skin. Each morning, they turn to Mecca and thank Allah for the blessing of their remaining liberty, that liberty which, in spite of all the pain and hardships, they would not exchange for houses, which they could not carry on their journeys, nor for radios, since the world outside does not exist for them, nor for watches, since it is not their custom to count the time.

Documentary covering author Paul Bowles' time living in Morocco.

Sugar mill in Morocco.

Film scholar Janet Bergstrom discusses Sternberg's 1930 film starring Marlene Dietrich.

A high point of the Moroccan music festival is the Mawazine Festival in Rabat, Morocco. Al Di Meola's fantastic appearance in 2009 also represented a summit of different cultures and religions.

Morocco is a land of ingratiating variety and intense contrast. Its people are as diverse as its topography. The cosmopolitan Atlantic coast fuses with the Berber heritage of the northern Rif and Atlas mountain ranges as the ancient Saharan trade routes wind their way from the south into the city of Marrakech, where all points collide, creating a vibrant mixture of the traditional, the exotic and the supernatural.

The Chronicles capture the natural and cultural beauty of Morocco from its ancient walled villages to its nomadic caravans. Music comes from everywhere. Edited almost thirty years apart, the two Chronicles together are a study in Auder's approach to his memories. The footage is all from the same trip that was a family vacation. Considering Chronicles/Morocco, 1971 a construct of emotional convenience unfaithful to memory, Auder decided to supplement the first version with a fuller account. The two works feature almost entirely different footage. There are, however, sections where one can see where Auder has omitted Viva. The star of the 1971 version is a young Moroccan Adonis who appoints himself tour-guide for a group of Europeans including Michel. The camera follows his charming antics as he flaunts his nubile body and rather blunt but effective skills as a hunter.

Lupino and his wife Helen are honeymooning in Morocco and the local Caliph wants to add Helen to his harem. Lupino saves her, loses her again and saves her again.

Watch the sunset at Ain Diab Beach in Casablanca Morocco while listening to ambient music from around the world

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

A determined group of Moroccan Hip Hop hopefuls band together to create their country's first Hip Hop festival, a celebration of music, unity, and free speech.

A lost film. George Travelwell (Fairbanks), an American youth motoring in Morocco, discovers that the governor of El Harib (Frank Campeau) has seized a young American woman for his harem. Disguised as an inmate of the harem, George nearly wrecks the place while he rescues her. One thrilling incident follows upon the heels of another in their attempts to get away, and it ends with him setting one tribe against another, leaving them free to peacefully ride away.

A high point of the Moroccan music festival is the Mawazine Festival in Rabat, Morocco. Al Di Meola's fantastic appearance in 2009 also represented a summit of different cultures and religions - Al Di Meola (guitar), Peo Alfonsi (2nd guitar), Fausto Beccalossie (accordion), Gumbo Ortiz (percussion), Victor Miranda (bass), Peter Kaszas (drums), and with special guests from Morocco, Said Chraibi (oud), Abdellah Meri (violin) and Tari Ben Ali (percussion). On his third trip to Morocco, the public gave this exceptional guitarist a rousing reception and showed its openness towards Western music.

This Dogville short takes place at an outpost in the Dogville Foreign Legion. As the story opens, the soldiers watch a newsreel, which includes the opera singer Galli Cur (a spoof of Amelita Galli-Curci) sing an aria. After the show, they go to the local bar and tell each other the stories behind the reason they joined the legion. All the stories are about how women did them wrong in one way or another. They all agree that they are fed up with women, until a certain visitor shows up.

On the northern edge of Africa, dividing the coastal plains and the Saharan basin, lie the snow-capped peaks of the Atlas mountains. They are the heart of Morocco, home to Africa’s most beautiful landscapes and geography, with its own unique music, culture, and history. Join two friends as they cover the surrounding regions, right from the modern city of Fes to Medina, a place with old-world charm. As they jam under the night sky and participate in a traditional Gnawa ceremony, they encounter the diversity of a country that’s exotic and simple in equal parts.

When 17-year-old Ben visits his father Heinrich in Marrakech, it is the start of an adventurous journey through a foreign country with a picturesque charm and a rough beauty where everything appears possible — including the chance that father and son will lose each other for good, or find one another again.

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

On an emotional journey in Morocco, an entrepreneur pieces together the turbulent life of his estranged mother and meets her adopted daughter.