The editor of an erotic magazine listens to the fantasies of his models.

In this black and white performance tape, Donegan continues her ironic exploration of the process of making art. Working within the format of a music video, Donegan plays with notions of artist and model, subject and object, and the "painterly gesture."

Several young women stand on a pedestal and remove one garment at a time until there is a large pile of clothing beside them.

The film starts out B&W and shows Oliver Nibble being berated by his wife. They go to a cinema and Oliver's imagination runs wild. The film turns into color as Oliver photographs his models in various stages of dress (and undress).

Short work.

Richard D'Oyly Carte, the theatrical impresario who brought Gilbert and Sullivan together, is tormented in a dream by his memories of this most tempestuous partnering.

An important customer at Armande's, where Iva Seldon works as a model, is Billy Ravensworth, who purchases expensive gowns for a heartless vampire named Rita Challoner. When Billy pays for a number of gowns with a bad check, Iva is sent to Rita's home to collect the finery, and there she meets Bertrand Seldon, whom she recognizes as her own father, a society man who had deserted his wife years earlier and never acknowledged Iva. Rita learns that Billy is poor and breaks off their affair, after which Iva persuades him to pose as her fiancé so that she might enter society. Billy is content to maintain the masquerade in exchange for Iva's money, but soon finds himself jealous over her apparent romance with Bertrand. Iva agrees to accompany Bertrand on a drive, but the car plunges down a cliff, whereupon she reveals her identity. Before his death, Bertrand at last recognizes his daughter, and with his fortune, she and Billy begin a new life.

In the future, the governments of the world create an organization to fight crime called "Cop Models". Trained to maintain law and order on the streets and show off their beautiful bodies on the catwalks. In this mission, the city of Starlight City is attacked by a strange squad of mechanical zombies coming from a nearby landfill.

Guido Fuentes, a middle aged Bolivian immigrant, runs a modelling agency and academy in Villa 31, the biggest slum in Buenos Aires, Argentina.

In 2010 the physicist Aaron O’Connell and his colleagues proved that a strip of metal, visible to the naked human eye, can both oscillate and not oscillate at the same time. Essentially this means that objects, whatever their size, can be in two places at once. From here it starts to seem like existing means being inconsistent, while dying means becoming consistent.

The wealthy owner of a modeling agency keeps a new student in the high life, unaware that she and a recently released convict share a criminal and personal history.

The film brings together the trajectory of the twenty-four top models.

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Charts the rise and influence of MTV's iconic fashion series, House of Style.

Four young women embark on a journey of sexual awakening.

Here meet personal memory, working knowledge, research interests and anecdotes together to vivid memory about the most important German dramatist of the 20th century. When the director Peter Voigt, former assistant director of Brecht at the Berliner Ensemble in 2004, finds a wallet with pictures and captions from the American exile, he pursued this track and discovered that Brecht has always worked with photography and film. Peter Voigt puts together an exciting collage of this film and photo material. A conversation with Erdmut Wizisla, the head of Bertolt Brecht Archives, moderated by Harald Müller, forms the dramatic bond of the film.

An opportune salaryman moves his family into a model mansion for 12 months; unfortunately, they must allow prospective buyers to trek through their home during business hours.

Manuela, a trans woman, an artist, who, when attending a live model workshop, awakens to her own beauty and power, even though she has to face everyday difficulties, which require courage and determination.

In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine and Jean-Michel, for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man".

Vasutty and his son Sajan are Taxi drivers. When Vasutty drives a 72 model Ambassador, Sajan drives an Innova. Sajan, Deepak, and Parvathy are best friends. Deepak runs a drama academy and Parvathy is an interior designer. Once Sajan happens to drive Vasutty's car and that changes Sajan and his friends' fortunes forever. At this stage Janaki enters their life. As days pass by they realize that what they thought to be fortune turns out to be their misfortune. Rajasenan's '72 Model' plots their efforts to come across these troubles.