A new animation inspired on the famous play Medea, by Euripedes.

The sons of Medea are an Italian "teledramma", broadcast live on 9 June 1959 on the National Program. It became a sensational media event because many viewers, not realizing it was a fiction, perceived the event as real

In Pasolini's vision, Euripides' Medea becomes an emblem of the Third World deceived and exploited by the pragmatic rationality of the West (Jason). The sequences of human sacrifice, shot in Turkey, are among the highest and cruelest in Pasolini's cinema. Maria Callas in her only film role, is a lunar goddess of revenge.

On January 27, 2010, Okpako visited the (East) German author Christa Wolf to discuss a film project based on Wolf's novel Medea: A Modern Retelling. Over tea, with the sound of planes landing at nearby Schönefeld airport, they talk about how she came to tell the story of Medea the immigrant, treated with suspicion in her host country, and are joined by the voices of Medea, Jason, Agameda, Glaucke and the passing of the East German era. This film premiered at the Berlinale in 2014.

On the 40th anniversary of the death of Maria Callas (September 16, 1977), with footage never seen before from Pier Paolo Pasolini's film MEDEA, this film celebrates the genius and sensibility of two icons of the XX century.

Lisa is a mother of two children who survived a divorce. And it seems that everything is starting to return to its usual course, but then she receives a strange warning.

Medea is an intelligent, highly educated woman who gives up on her dreams when she falls for rich businessman Alexei. When the pair have two children, she patiently waits for him to divorce his wife, and as he decides to emigrate from Russia to Israel, she meekly follows him. But when he shuns her for having committed a crime to protect him, her blind love turns into burning rage.

Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.

Medea, Jason, and their two children live as refugees in the Greek city of Corinth. When Jason abandons her to marry the king's daughter, Medea is forced to leave the country, on penalty of death.

An actress loses her identity in a character, what then turns her life into tragedy.

A documentary on the making of Pier Paolo Pasolini's MEDEA (1969) features rare behind-the-scenes footage and interviews with the cast and crew.

An intimate portrait of a rural family's inner lives and their relationship to a harsh and shifting landscape.

Some of the scenes cut from the final editing of Medea by Pier Paolo Pasolini, fortunately found by L’Officina - a historic Roman film club born in the 1970s - on the initiative of Cinemazero in Pordenone have been preserved and digitized at the Cineteca del Friuli. These materials, with the care of the Pasolini scholar Luciano De Giusti, have been reassembled, accompanied by texts / readings and original music by Paolo Corberi: here are the "Visions of the Medea (traces of a dreamed film)", now a very important document to reconstruct the creative process of production and reliving the poetic / lyrical aura of the film's protagonists and places, including the lagoon of Grado (GO).

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

Based on interviews with Kurdish fighters living in the UK, and written and directed by the first woman ever to direct at the National Theatre, Blueprint Medea is an award-winning new drama, loosely inspired by Euripides’ Medea, which connects the classical to the contemporary to explore eternal questions of passion, war, cultural identity, women’s freedom, sex, family and love.

short film

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.

Aribert Reimann is one of the worlds most important living composers. His works are performed regularly all over the world. Now comes his latest opera - Medea. Roughly 30 authors have written works based on this ancient myth but it was the play by Franz Grillparzer which inspired Reimann most: »In no other version is it made so brutally clear that Medea is an outsider. () Right from the start of act one my mind was flooded by musical ideas and by the end of the second act I really thought my head would burst. Vienna State Opera succeeded in recruiting Marco Arturo Marelli a man with a world-wide reputation, especially for global premieres as director and scenographer for this performance. Unusually for a world premiere, the first series of performances of the opera were a huge success amongst audiences and press alike. The public stormed the box office and ticket sales by far exceeded availability. A Sold Out notice had to be put up for virtually every performance!