A little girl convinces her attorney father to defend a mute war veteran accused of murdering a store owner.

When a turn-of-century confidence trickster poses as a famous French chanteuse to avoid arrest, she manages to expose the crooked police chief and smooth the path for the reform mayoral candidate.

Maddie was raped in high school at a party, but no one believed her when she reported it, causing her to become a social outcast, and crushing her dreams. Ten years later, as she tries to rebuild her life, she takes a job as a tutor to a wealthy family where, she meets Laurel, the family's nanny. The two become instant and close friends, too close according to her long time friends, Paige and James. They worry Laurel may have alternative motives and try to protect Maddie. Maddie is forced to decide between who she trusts more, Laurel or Paige and James.

A high school wrestler struggles to maintain his weight in the face of his father's cancer diagnosis.

Joy Johnson would wake up before each dawn, pour herself a cup of coffee, lace up her running shoes, and read this Bible verse from Isaiah: “They shall run and not be weary.” This ritual went on for more than two decades but didn’t start until Joy was 59. That’s when she first took up running, after raising her four children. Joy would go on to run 25 New York City Marathons, the last in 2013 at the age of 86. This film uses evocative footage and Joy’s own words to tell the story of this remarkable woman, who was born on Christmas Day in 1926 and inspired us all.

Sandbox “All Day Everyday” Snowboard DVD: Who is Sandbox, you say? Bah! Obvi it’s Kevin Sansalone and Clayton Larsen, along with a team of very talented young designers, filmers and riders. “All Day Everyday” is all about unique footage, good riding and fun mixed with some new faces, new sponsors, and high end HD production. All together this film has a great look and might just make you want to go riding.

"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."

A Scottish soldier is forced to redefine his identity after losing his legs in combat and becomes a 'strongman' with the help of a former Royal Marine.

David's turning 50 and having a Mid-life Crisis! He isn't sure his "perfect husband" loves him, and if he's chosen the right career. Aging is something he never thought about, but now he is faced with making the rest of his life count and hopes his close friends can help. Realizing that he may only have about 35 years left, he must figure out his life to ensure happiness and fulfillment. Fate changes everything when he meets a 15-year younger man who shows him that age does not matter, and that maybe his future happiness is right in front of him.

Follows mothers with severely autistic children and consists mainly of interviews with the mothers.

After getting kicked out of college for the semester, Val goes back to his hometown and moves in with his single dad, where he sets himself two goals: write the next great American novel and get his high school girlfriend back. But after Val’s friend suddenly dies and his 12-year-old brother Charlie comes to live with him and his dad, Val quickly realizes that he has to grow up fast so that Charlie doesn’t have to.

Where addiction & obsession meet

After a bitter argument, a mother and her teenaged son each have a moment of quiet contemplation in Frazer Bradshaw's affecting portrayal of a fragile relationship.

Since the late 1960s, the almost annual productions of Richard Foreman’s Ontological-Hysteric Theater have been among New York’s artistic highlights. A legend of the avant-garde theater, Foreman is also a passionate film fan, whose taste ranges from American avant-garde to Manoel de Oliveira. ONCE EVERY DAY marks his first foray into feature filmmaking in 35 years. Highly visual, complexly edited and without a traditional narrative, the film zeroes in on a group of 25 people acting out a series of semi-ritualistic behavior patterns. But their eccentric impulses are aborted in unpredictable ways with each attempt at action or development. According to the director, “The film slowly evolves a time-mosaic of reformatted consciousness.” Longtime admirers of Foreman’s work will see an intriguing adaptation of his unique theatrical style to the cinema. And for everyone else: Welcome to the extraordinary world of Richard Foreman.

As we wait to see whether Rupert Murdoch will fall from power and lose control of News International, Every Day is Like Sunday tells the forgotten story of the dramatic downfall of Cecil King—the newspaper mogul who used to dominate British media in the 1960s, before Rupert Murdoch arrived.

Rewinding back to the seventies with disco fashion, cars, and locales, Love Sick finds multi platinum artist Don Toliver caught in a web of intrigue. As the protagonist of this mini-movie, he owns the Love Sick Diner-which employs various shadowy characters. Wild days give way to wilder nights as he dodges law enforcement and a lover soundtracked by music from his 2023 album Love Sick.

It's the mid-nineties in London and a couple meet through a lonely hearts column. She is an middle class English married woman, he is an lonely Irish mechanic. Despite the gulf between them they start an affair.

A family tries to schedule the medically assisted death of a loved one.

In a spoof of the 1920s mantra "every day in every way, I'm getting better and better", a cat goes around a farm with a self-help book preaching the mantra to animals with troubles -- a hen that won't lay eggs, a mouse with a plant that won't grow, a rabbit being chased by dogs, three lame mice, a wheelchair-bound monkey -- and cures them. But crotchety old Farmer Al Falfa, who's sick with the flu, rejects the cure -- at first.